Wednesday, December 09, 2009

 

New Music December 2009

I've got lots of new music on the way. Here are a few of new CDs you will hear on The Promise...

Kevin Gilbert - "Nuts" and "Bolts" (2009)
Kevin, the man behind Toy Matinee and one of the key songwriters in the Tuesday Night Music Club, has been gone over a dozen years, but he hasn't been forgotten. His estate has finally released some material that has been sitting in the vaults. These aren't half recorded, not quite ready pieces of music, but fully produced (and let's face it, when Kevin produced something it was FULLY PRODUCED) ready for release songs. In fact most of the first CD, "Nuts" is typical of the heavily produced songs from Toy Matinee (The last few songs are simpler productions though). "Bolts" is much more personal with Kevin mainly accompanied by either guitar or piano/keyboard with maybe some light percussion. Throughout the two CDs, the songs focus on life and relationships; which is probably why the people who are releasing these CDs consider them singer/songwriter CDs. The sound is very 80s, but the quality is there, both in the production and the writing. If you loved Kevin before, you will love these new/old CDs. Warning, if you only buy "Nuts", you will be mislead (on purpose) by the liner notes and you WILL buy "Bolts" just to see what she as talking about. You can find out more and buy the CDs here: http://kevingilbert.com/
James McMurtry - Live in Europe (2009)
The studio CDs don't begin to show you the power of his live shows. The problem with this CD is that some of the classics were saved for the DVD that comes with it (if you haven't seen him do "Choctaw Bingo" live...). So, at 8 songs, the CD is a bit short. The 6 songs on the DVD make up for it, if you like to watch your music. Still, it is hard to put down anything live by James. This was a nice addition to my JM collection.
Tinted Windows - Tinted Windows (2009)
There hasn't been a power pop band like this since... maybe The Knack. If that sounds horrible to you, then you will want to pass on this CD. But, if you love to hear that sweet vocal with the power chords and big drumming, then this is the CD for you. The surprise here is that this is actually a super band featuring Taylor Hanson from Hanson, James Iha from Smashing Pumpkins, Adam Schlesinger from Fortunes of Wayne and on drums Bun E. Carlos from Cheap Trick. This could be the next big band.
Sam Phillips - Cold Dark Night (2009)
Part of her Long Play project, there are a half dozen Christmas songs here. Now, I'm not one for Christmas songs, but Sam can make anything sound special to me and these songs prove that. The highlight is easily "It Came Upon a Midnight Clear" which she originally recorded for the movie, "A Midnight Clear". This new arrangement is just as gorgeous.
Lazy Preacher - 4th and Independent (2009)
They are Orange County's little secret, and that's too bad. You might be tempted to call their music psychedelic folk, but putting labels on Lazy Preacher isn't easy. Let's see... I'd put them somewhere between Beck and The Moody Blues. How is that for a wide label. This new CD is more focused than "Fall Asleep When Awaking" and has a more consistent sound; nice acoustic guitar with good melodies and just enough strangeness to keep you on edge. One of my favorite indie CDs of 2009. You can find out more here: http://www.lazypreacher.com
Jay Farrar and Benjamin Gibbard - One Fast Move Or I'm Gone - Music from Kerouac's Big Sur (2009)
Big fans of Jack Kerouac, Jay (Son Volt) and Ben (Death Cab for Cutie) take Jack's words and create a brilliant folky/Americana CD. For me, the highlight is hearing songs that sound like Son Volt but have Benjamin singing (and vise versa). If you like either of these artists (especially Jay Farrar) check out this beautiful and touching tribute to the King of the Beats.
Matt Stansberry - Self Portrait EP (2009)
Some great hooks from this indie artist. "Love Struck" has hit written all over it. His people like to compare him to John Mayer, and... well, it seems to fit. Some really nice pop music. Find out more at http://mattstansberry.com
Mike Doughty - Sad Man Happy Man (2009)
I just love his style. This acoustic rock always seems on the verge of exploding. He can write, he can sing, he brings the melodies and he brings the energy. What else can rock and roll ask for? It is maybe a touch below "Golden Delicious", but them maybe I just need to listen to it some more, 'cause every time I do it keeps getting better. http://mikedoughty.com


Thursday, December 03, 2009

 

The Section Quartet Holiday Show at Largo

If you know me, you know I'm not one for holiday shows. Still, how could I not resist the lineup, and with Eric Gorfain arranging the evening (not to mention the actual material), I knew it would be fun. The band opened with Silent Night, a rare (for this show) traditional song. But as a warning of things to come, I suppose, they took it in a new direction with Daphne Chen playing the melody on her theremin (think "Good Vibrations" or almost any old horror movie). It gave the song a bit of a spooky feel. It is always amazing to watch Daphne perform on the theremin; pulling sounds literally out of thin air.

The biggest surprise of the night and one of my favorite moments came a couple of songs later. Sarah Silverman sang "Give The Jew Girl Toys". If you haven't heard this hysterically funny song, you should check it out on Youtube. Be warned though, it is standard Sarah material (it will offend those who are easily offended).

Before each singer appeared, David "Gruber" Allen would introduce one of the Section players along with himself and then introduce the guest artist. They were going for a bad Oscars feel where the offstage Gruber mimicked the offstage announcers at the awards shows and then the two of them would tell bad jokes while introducing the next artist. Those of us who got it, loved it. David has great timing and is generally just a very funny guy. His rap in the middle of Silver Bells had us rolling in the aisles.

The band and singers moved away from the traditional songs, singing more modern favorites. The Section Quartet did a lovely version of "Christmas Time is Here" (the Vince Guaraldi classic from "A Charlie Brown Christmas"). Joe Henry did "Blue Christmas". Vivian Campbell (Yes, that heavy metal giant) did "Merry Christmas Everybody" (originally sung by Slade). And Mike Viola (Candy Butchers along with plenty of solo stuff) did "Father Christmas". The most traditional song was performed by Sam Phillips, singing "Away in a Manager". It was easily the most beautiful moment of the evening. Sam took this traditional song and gave it the warmth and passion that so few singers can do these days. The song appears on her new EP "Cold Dark Night", by the way.

Somewhere in the middle of all of this, Addi, the balloon guy, brought out his bass balloon and played the bass line to The Dreidel song. You just have to see him play that balloon to really get how cool the whole thing is. Daphne did the arrangement for this traditional song, changing the style a few times mid song. It was a the most unique and maybe my favorite version ever of this song that I've been singing since I was a child. Also appearing was Jim Hodgson who played his concept video of "Jolly Filter". I'm not going to try and explain this. Just go to Youtube (this version doesn't have the sound... there may be a better version somewhere, but you'll get the idea).

The evening ended with most everyone on stage singing "Happy Christmas (War is Over)", the Lennon classic. It was a touching end to a very fun evening. Below is the full set list:

Silent Night - TSQ
Do They Know it is Christmas - TSQ
Give the Jew Girl Toys - Sarah Silverman
Christmastime is here - TSQ
Blue Christmas - Joe Henry
Wonderful Christmas - TSQ
Away in a Manger - Sam Phillips
Jolly Filter Film - Jim Hodgson
Silver Bells - Dave "Gruber" Allen
Dreidel Song - Addi
Last Christmas - TSQ
Merry Christmas Everybody - Vivian Campbell
Father Christmas - Mike Viola
Happy Christmas (War is Over) - Almost everyone


Thursday, November 26, 2009

 

The Swell Season and Josh Ritter at The Wiltern

A week ago we were privileged to see one of the best shows I've seen all year. Last month I bought the tickets, opting for the first balcony at the Wiltern since it was standing room only on the floor. The Wiltern is just small enough where the early rows of the loge are perfect for a sit down show; especially if you are dead center like we were.

We arrived just before the show started. I was so focused on the Swell Season, I had forgotten that Josh Ritter was the opening act. He was on my short list of bands I really wanted to see live, so when he walked out on stage I was thrilled. And... I was not disappointed. He put on a lively set of rockin' tunes that made you smile and tap your feet throughout. His interaction with the audience was natural and usually very funny. He told a wandering story that really didn't have much of a point, and it didn't matter. I can't wait to see him do a full set some day.

After a short delay, Glen Hansard and Marketa Irglova, the duo that makes up The Swell Season came out, sat on the floor and did a cute song together. We were hooked immediately. They were then joined by The Frames, Glen's band for many years. The stage, with beautiful lighting and set designs, was laid out like an arc, with the Frames making up most of the curve and Marketa and her piano finishing it off. It was as if to say, we are The Swell Season and the Frames are over here helping. Although Marketa sang lead on a couple of songs, this is all really about Glen Hansard. In the middle of the night, everyone left, except for Glen, and he performed several songs solo. On one song he actually unplugged his guitar (the one with the big hole in it), walked out to the front of the stage and did it completely acoustic. Pretty impressive for a theater that big. It is Glen and Marketa's personalities that really win you over though. She is so humble and sweet. He is just as humble; a down to earth guy who, when he asks you sing along, is completely sincere about it and is just trying to make better music with you singing the harmonies. Their songs about lost love and unrequited love are as uplifting as they are sad. Before you can really feel sad though, Glen is joking about something or other and you find yourself laughing and having a grand old time. To accentuate the humor in their show, during the encore, they brought out Jason Segel to sing a song he had written. Jason, who is best known for his acting (and that nude scene), was hysterical, singing about finding someone at the Wiltern to come home with him that night. Marketa, who gave up her piano for him, walked across the stage with a sign that had his phone number (well, it was the phone number he gave in the song) on it. As the nearly 2 hour show (which actually ran over time) came to an end, they brought out Josh to sing with them, closing the circle of a perfect musical evening.


Tuesday, November 03, 2009

 

New Music for November 2009

Black Joe Lewis - Tell 'Em What Your Name Is! (2009)
This is high energy funk/rock/soul and is a blast to listen to. I saw them in Austin and they can bring it. The CD won't disappoint.
Ben Harper and the Relentless 7 - White Lies for Dark Times (2009)
Another Ben Harper CD and another solid one for him. Doesn't seem to matter who he plays with, the music works.
Pete Yorn and Scarlett Johansson - Break Up (2009)
Talk about digging deep for inspiration... Pete channels Serge Gainsbourg's recording with Brigitte Bardot from the 60's, recording a break up CD with his muse I suppose The original was the actual breakup couple. I'm not anything beats how Fleetwood Mac did it. But, I'm getting off track. This is a nice CD from Pete and Scarlett (who is much better off not covering the great artists of our time) and if you're a fan of Pete's, you should enjoy it.
Sam Phillips - The Long Play (continued)
Finally, there is an official release of "When You're Down". Sam wrote this years ago, and it just hasn't been able to make it onto a CD. Glad to finally see it here.
Chuck Prophet - Let Freedom Ring! (2009)
More of a straight ahead rocker then his previous release, this is still pure Prophet. With his unique singing style and knack for catchy melodies it is so easy to love his music. The lyrics are a mix of social commentary and personal loss but with an uplifting spirit. Another great CD from CP.

Tuesday, October 27, 2009

 

Linda Ronstadt Y Mariachi Los Camperos

I wasn't going to write about this show at the Gibson/Universal Amphitheater last Sunday because this isn't music I really know about: But I just had to. We went because a) Linda Ronstadt, at 63, still has that power in her voice and b) Maria, being from Colombia, loves this music. And so there I was, knowing that I wouldn't really know any lyrics (although on the real mushy ones, Maria would translate to me... very lovingly) and having to focus on the music. For those of you who think those trios at your local Mexican restaurant (yes, they are not actually mariachis, but trios usually) is what I was in for, are greatly mistaken. The band, which consisted of 5 violin players, 2 trumpeters, a full sized (although light apparently) harp and a 3 guitar rhythm section (and maybe I'm missing one or two) was amazing. The melodies are not as simple as you might expect. There are time changes in the middle of songs and the melodies go well beyond the sweet and sappy stuff you may hear from that local trio. It was just fascinating to listen to these men perform. The band played on their own for about a half hour or more and then introduced Linda. She sang solo and also shared vocals with three of the violin players who were also excellent singers. The entire evening fell a little short of 2 hours. Watching near perfection in every aspect of the show made it go by so much faster than I ever realized. I think I will do this again some day. As for Linda, wow, that voice can sing in any language. And unlike her show of classics a year or so ago, you could just see the joy and passion in her face as she sang songs derived from all over Mexico. You don't need to understand the words to see it.

 

Joan Osborne, The Holmes Brothers and Paul Thorn

I was in Glendale last Friday for a concert. I know, that just sounds weird. Glendale CA isn't known for rock and roll. Never the less, there we were at the Alex Theater to see Joan Osborne and Paul Thorn. And what a wonderful night it was.

Paul opened the show with a 30 minute set (way too short for him) and had us all laughing from the opening song. His down home southern humor is infectious and he easily won over plenty of people (many of whom stood in line after his set to buy his latest live CD/DVD).

The Holmes Brothers then came out and presented us with a diverse set of rock and soul. It wasn't nearly as engaging as Paul Thorn, but for a trio of grey haired rockers they did a great job.

After an intermission, Joan came out with her keyboardist and a percussionist and did a wonderful job on "St. Theresa". The percussionist was then replaced by The Holmes Brothers, who, along with her keyboard player, backed her for the rest of the set. Joan did a few songs from Relish, a couple of new songs and did some great covers; pretty much tearing up the place with her powerful voice. She is as sexy today as she was when we first discovered her back in the mid 90's. It isn't just the body, it is her attitude and singing style that drives men, and plenty of women in the audience, wild. It is still amazing to me that a women with this much talent leaves so many seats empty. She was only out there for about an hour, but it was worth every penny we spent to see an artist who truly loves singing, doing what she does best. You'll find a couple of poorly shot videos of the show at www.youtube.com/infomas or click on the pictures down below.






Monday, October 26, 2009

 

New Music October 2009

I know. I know. These always start with, "I've been so busy" and "There is so much to catch up on". No excuses. We'll just get right in to it.

Bob Schneider - Lovely Creatures (2009)
This is Bob's best CD in years. Maybe his best since "Lonelyland". It is filled with hooks, has an optimistic up beat to it and yet somehow I love it. Seriously, it's a great sounding CD, closer to Lonelyland then the last few CDs, yet not at all like it. He decided to remake a couple of Scabs songs, and they are fine. But the treasures here are the new songs. I'm very happy knowing that I will be spinning most of this CD on The Promise. It has been way too long Bob. http://www.bobschneidermusic.com/
Suzanna Choffel - Shudders & Rings (2006)
While we're in Austin... If you read my blog post at ACL this year http://aclfestival.blogspot.com , you know that I fell for Suzanna's music live. And I am happy to report that the CD is really good also. There are some different players on this CD but the overall jazz/singer/songwriter sound is still intact. Suzanna sings like a sultry jazz singer. Her songs are sophisticated, surprising and yet familiar. This is a beautiful CD. It deserves your attention. http://www.suzannachoffel.com/
Sam Phillips - Hypnotists in Paris (2009)
For the first portion of Sam's "The Long Play" project we have 5 wonderful songs, including the brilliant revisiting of "I Don't Want To Fall In Love" from Sam's "Indescribable Wow". The project, a year long releasing of music, first on her web site and later on ITunes/Amazon/etc, should keep us Sam Phillips fans quite satisfied for some time to come. One of the 5 highlights (yes, I love every song on this EP), is Sam's love song to her daughter, "So Glad You're Here". Although there is a full band (Section Quartet) version of the song, she decided to release the piano version, which is so much more personal. For $52, you get 5 digital EP's and a digital CD over the next year (along with other fun stuff on her website). I highly recommend checking it out. http://samphillips.com/thelongplay/
Various Artists - The Best Is Yet To Come - The Songs of Cy Coleman (2009)
And speaking of Sam Phillips, she makes an appearance on this compilation of classics done in a modern style. The songs each have their singer's stamp on them, yet they remain true to the original versions. Besides Sam, there are excellent performances by Patty Griffin, Jill Sobule, Missy Higgins, Ambrosia Parsley, Madeleine Peyroux, Julianna Raye, Peria Batala, Sara Watkins, Nikka Costa, Sarabeth Tucek and two beautiful songs from Fiona Apple.
John Lefebvre - Psalngs (2009)
This would be really easy to dismiss, if it wasn't so darn interesting. John, who is awaiting trial in L.A. on gambling charges (he wrote payment programs for a gambling site), wrote a bunch of songs and then hired some of the best players in L.A. to create this CD. Actually, it is beyond a CD. It is all available for free download at http://www.psalngs.com/. The songs are actually pretty good. The singing is a little raw, but he has an interesting voice; one that you could get addicted to. The playing is top notch and this adds to the confusion. Did a great backup band make this more enjoyable or is it really the creation of a new exciting singer/songwriter. I'll leave it to you to decide. I will be playing a few of the songs on The Promise, so check him out.
Charlie Faye - Wilson St.
I saw Charlie Faye as an opening act at The Mint a couple of months ago. I didn't really hear any of it because of the crowd noise, but I heard enough to know there was something good going on here. I picked up her CD that night and have really enjoyed it. This CD can best be described as classic country rock with a solid rock edge and Charlie's sweet voice, making is as easy to swallow as a cold sweet tea on a hot Texas day. Songs like "Runaround" and "Jersey Pride" sound like they belong in another era. Actually, "Jersey Pride" reminds me a bit of Natalie Merchant. The songs will take you back without sounding old and dated. http://www.charliefaye.com
Mary Kastle - Another Swing (2008) / Fresh Air (2006)
These pair of EPs continue to show off the female/jazz/singer/songwriter in music today. It is an exciting area to watch as women such as Mary, with exciting voices and interesting arrangements challenge our rock and roll ideas. Songs like "Down the Wire", with the piano up front and a funky guitar in the background, make me glad I have the opportunity to get to share this music with you. Find out more about Mary Kastle at http://www.marykastle.com

More coming soon...

Tuesday, October 20, 2009

 

The Decemberists at Royce Hall

It all became clear to me, last night, as I heard the sonar come from the speakers about 20 minutes before the show. There is only one song that starts that way, Pink Floyd's "Echoes". Even if I wasn't aware that The Decemberists have covered it before, it was an easy call. And as the song ended, I turned to my daughter and said, "And the house lights go down". And sure enough, the lights went out. Colin's love of everything rock and roll, even prog rock, became even clearer to me now. Their new CD, "Hazards of Love", is a suite of songs, not unlike things Pink Floyd has done. They've added female vocalists for this tour, not unlike what Pink Floyd did with "Dark Side of the Moon". They added an extra dimension to the show by having four animators create video for the new CD, similar to things Pink Floyd has done over the years. And then they came out and gave us the entire piece, non stop, just like The Wall.

I saw this performance in Austin a few weeks ago. But now, seated closer to the stage with no mud in site, and with the fascinating animation on a large screen behind the band, the first hour of the show flew by. Most of the animation did not represent the lyrics of the CD as much as the mood of the music. There were some very cool effects and other stuff that was just strange. Overall it was great way to watch the show. The only portion that seemed to echo the lyrics was during "The Rake", with skeletons and death all around. The band played with enthusiasm and it was just a fun ride. After playing "Hazards", they took a fifteen minute break then came back and played a more standard set that ran another seventy five minutes. They played their fan favorites, did a classic rock cover (Heart's "Crazy on You"), goofed around, had a weird guitar duel, did some strange dancing and played musical chairs with their instruments. Just another Decemberists set. We all walked out completely satisfied.

 

Kristy Hanson at the Hotel Cafe

About a week ago my wife and I visited the Hotel Cafe to see indie artist Kristy Hanson perform. I have been playing music from her last CD for some time, but had not had the opportunity to see her live yet. The Hotel Cafe is a small room that seats a handful and expects everyone else to stand. Getting there early, we had no problem grabbing a table at the front. I've run into Kristy several time over the last year or so; usually at Sam Phillips concerts. So when she saw me, she came over and we chatted for awhile. What I've always enjoyed about her when chatting is her sweet, almost innocent, small town aura. And it translates wonderfully on the stage. Kristy put on a 45 minute set singing lots of songs from her upcoming release, chatting about her songs and, of course, performing music from her last CD. So often, when you finally hear a singer live, the voice just isn't as good as the record. But Kristy's singing sounded just as good, if not better. I really enjoyed the new songs, which, on first listen, sound even better than the last batch. The highlight of the evening for me though, was a cover of Joni Mitchell's "The Last Time I saw Richard". I've seen seasoned performers like Natalie Merchant not be able to do justice to Joni's music. A powerful and sad song like this is always a risk (especially because you have the potential to bring the house way down), but Kristy pulled it off. Half way through the song I had that stupid grin on my face; the one I get when great music moves me. Thanks Kristy.


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