Raul Malo at The Coach House

We came to see Raul because Maria loves his voice. I was a bit concerned after seeing his show in Austin at the ACL Festival. It opened with a bang and closed with a bang, but the middle section was a bit slow. The problem it turned out was that RaulMalo needs more than an hour to get all of his musical ideas into play. And so, Wednesday night, we got to see the real show, and what a treat it was. Opening with a couple of Mavericks classics (sorry, I didn't write down the song titles), he then settled in to perform music from his latest CD. For those of you who don't know about Raul or his CD... First, imagine a voice somewhere between Elvis Presley and Roy Orbison, with all the passion that goes with it. The new CD contains classic 50's songs with a country attitude. It is a slow paced CD that isn't for everyone. But, as I've said before, RaulMalo can sing the dictionary and it will sound great. So, this portion of the show was similar to the ACL show until he started to venture out again, singing songs like "Besame Mucho ". Maria was in a puddle on the floor after that one. Moving into his solo portion of the show, he took some requests and really showed off his vocal talents, only accompanied by his guitar and a harmonica played by a member of the horn section. The rest of the show mixed up his material, playing more Spanish classics like "Volver" and plenty of Mavericks tunes containing that great Tex/Mex sound. He finished off with Van's "Bright Side of the Road". The band behind him was tight and helped fuel the passionate energy that comes from Raul's voice. The band consisted of Raul was on guitar with drums, keyboards, bass and a sax and trumpet horn section. In the end we did everything we could to stay seated, but the music finally was just too much for us and when he came back for his encore we forgot to sit down, instead we did what you are supposed to do at a RaulMalo or Mavericks show: Dance the Night Away. We will not miss him the next time he comes around.

Willie Nile at McCabe's

Although the ads said that Willie Nile hasn't played L.A. in 20 years, I somehow remember seeing him perform at the "Light of Day" benefit a few years back. In fact, that is how I first heard of him. His "Cell Phone (In the pockets of the Dead)" blew me away and I remember having to wait a few months for the CD to actually be released. "Streets of New York" is an excellent CD by the way. But I'm getting ahead of myself. We arrived way early on Saturday and so Maria and our friend Cathy, took off down the street while I held down the first place in line. As it turns out, there are extra benefits for being first in line. Besides getting to meet Gary, Willie's manager, McCabe's has a tradition of giving the first person in line a stool to sit on: Much nicer than the hard cement. So, Gary is a nice guy and we talk about how nice Willie is and how I'm going to love the new live CD that is coming out. Fun stuff. They let us in at 7:30 and we go right up to the front row. Sitting on the left, I notice that we are in front of the VIP seats. When the VIP's get there, I hear something about grass roots or something, but can't hear enough to get excited. Then one of them asks if the others have been to the new Largo. That's where I jump in. I proceed to tell them how great it is. They nod and smile. I don't think they wanted my input. Oh well. At just after 8pm, the show starts and... No opening act. Instead, the guy behind me stands up and goes to the stage to introduce Willie. So, those of you who watch The Office may have already figured out that it was Creed Bratton who used to be in the Grass Roots and is now on The Office who was sitting behind us. Creed does a great intro talking about how this is going to be so intense that we will be bleeding from our eyes. Willie loved that. Willie comes out on stage with his writing buddy, Frankie Lee, who plays a snare drum and sings backup vocals. Although he was on acoustic guitar most of the night, Willie did do a nice stint on piano. I think he is actually a better piano player than guitarist. He will be the first one to tell you he isn't a great guitarist. That is part of his charm. But playing guitar he stands and poses and moves like a rock star. Still it was only an acoustic guitar in his hands. It was a great visual. Playing lots of songs from his last CD, and several new songs, Willie charmed us all night, getting us to sing along to songs we have never heard and just making us laugh and smile. He is humble and funny and energetic; everything that makes for a fun rock and roll show. He closed the nearly 2 hour set with "I wanna be Sedated" using a choir of about a hundred to really make McCabe's Explode. After the show everyone hung around for an autograph, so we bought the live CD (it is very good) and headed out.

All the way around, McCabe's is a great showplace. They have good sound, a nice room and easily the nicest staff in L.A. Oh, and their cookies are from Trader Joes.

Sam Phillips and The Section Quartet at the new Largo

This is going to be a long post. There is so much to cover here...

I arrived at the new Largo Thursday night and immediately felt like it was home. You walk past an iron gate into an outdoor patio. To the right is The Small Room. Inside that room there is a bar and a small stage with a flat screen behind it. There are cocktail tables that fill the room. This should be an excellent place to see up and coming acts. Straight ahead were the side doors into the theater. To the left was the entrance and the waiting room. At the back of the room was a small bar where merchandise is sold. On top of the bar is a small portable record player. That is what they used to entertain the crowd before the show. An Andrew Byrd vinyl was placed on it which really seemed to fit the room. There were a few cocktail tables off to the left allowing people to buy a drink in the small room and then hang out by the entrance until show time. The theater itself is a standard style auditorium/theater, with auditorium theater seats (it seats about 220 I believe). The stage is bigger than the original Largo, but not huge. There were 7 people on stage at one point and Eric later said it felt pretty tight up there. The big potential negative is that the sound board is upstairs. When I talked to Sam's sound guy, Stacy, after the show, he was really surprised how easy it was to get the sound right and didn't need to run up and down the stairs to check the sound. More on that later. There are pieces of Largo everywhere: old pictures, bits of furniture, but it is very much a new theater. The combination of the two rooms and maybe the only 200 person sit down theater for rock music in the city, gives the new Largo the potential to be one of the hottest showcases in town. Flanagan did a great job converting the old Coronet Theater.

When I got there, Sam was still rehearsing, but Sam's manager was there, guessed who I was and lead me to the bar. He gave me some seed money and some water and I went right at it. I had been told there was new merchandise, but for some reason didn't think about The Section Quartet needing space. They had already set up in the corner of the bar. Daphne and Leah came up and said hi and thanked me for helping out. "Oh, you want me to handle your merch also? No problem". Actually, I really enjoy their music and have no problem selling them to people, so it really was a pleasure taking their stuff on too. Sam had added Baggu's (its a vinyl shopping bag) to her table as well as 10 signed and numbered "anti tour books". They were hand made collage based hand stapled 8 1/2 by 11 books. There is nothing about the tour in them, just Sam having fun with pictures and old advertisements and such. I love the pictures of Sam with guitar and her comments on them.

At 8:05 the doors opened. By 8:15 the tour books were gone. Even at $30 a piece, not a single person balked. I sold every one that I showed. Sam has a whole summer to make more. Hopefully, she will be bringing them on tour with her. For a good half hour, it was non stop selling. I sold t-shirts and Cd's of course. One Baggu sold, but I know there were a few people who were going to wait and buy them online. It is a pretty cool concept, especially if you are into the environment. My online friends Bill, Ralph and Jen came by as did Kristy Hanson who I spin on my online station. PJ Harvey was there also, although I didn't get a chance to meet her. And apparently a friend of Pete's figured out that we knew him in common. Thanks for the email Pete.

At about 8:30, The Section Quartet went on. I missed most of their show because I got into a very interesting conversation with Sam's manager. Everyone Sam surrounds herself with are good people. We had a great talk about religion and rock and roll and our place in the world. Heavy stuff to be talking about at a "rock show". I loved it. TSQ played 5 songs. I caught the last one. They are always such a fun and interesting act to watch and listen to. Eric's selections of songs to perform show a keen eye toward what is truly musical in rock and roll. And his arrangements are second to none. They play with a passion that is generally reserved only for traditional rock acts.

After about a five minute brake, Sam came on stage with the Section Quartet and started her show. I left the merch table high and dry, knowing that Sam's fans would be respectful. Of course, I took the money with me. I'm no fool. :-) Actually, I sat in the back row so that I could peak out every so often and make sure no one was hanging around it. Even from the back, you are close enough to see that look in Sam's eyes when she is pretending to be confused. The sound was excellent. I think they found a good sound guy in Stacy Parrish.

So... Sam started with the Quartet then added Jay Bellerose on drums and Chris Bruce on bass and electric guitars. Now, I've gone on and on about how good Jay is. And I loved watching him on the A Boot and a Shoe tour. But the music from "Don't Do Anything" really focuses a lot on Jay's drumming, and when he was added to the show... WOW. At one point, Sam said after a song something like, "I don't know what Jay was doing over there". He brings so much energy to the stage with songs that are so ready to explode. And explode they did. I loved the ABAAS tour, but this upcoming tour is going to be something special, for you have the contrast of the beauty of Sam playing in front of the Section Quartet and then the power and emotion when you add Jay's drumming to it. And then there is Eric Gorfain, who played not only violin, but guitar, piano and banjo. At one point he had the banjo in his lap, was playing the piano and then would pull up the banjo and play; going back and forth throughout the song. "My Career in Chemistry" was one of the killer songs in the set as was "No Explanations". Ultimately, it is about Sam, and her voice was well prepared for the dynamic changes in the sound as she performed most of "Don't Do Anything", and a few songs from ABAAS and Fan Dance. She also brought back the Stephin Merritt penned "Underwear", which is, as one review called it "wicked". "Sister Rosetta" and "Signal" have become staples in the set list and they were beautifully done. I have to believe it must be a bit weird for Jay to be performing "Sister Rosetta" after playing a slower version all spring on the Plant and Krauss tour, but he claims it isn't. Sam played about an hour, joked around a lot, and overall put together one of the best shows I've seen her perform. I can just imagine what it is going to be like when they get a few shows under their belt.

After the show, I continued to sell merchandise, while the fans along with Sam and members of both bands hung out on the outdoor patio. After closing up shop, I went outside, chatting with Sam, some of her family, Eric, and Stacy. Stacy, by the way, has a really good voice. You can check him out at http://www.simple-music.com . I plan to add his CD to my station. He did a great job of mixing the show. The band, even when playing loudly, never overwhelmed Sam. Everyone was very happy about the show. Sam talked about wanting to play the small room someday. At the end of the evening I was totally satisfied. There was great music, wonderful conversations and a feeling that I had helped out a bit. Both Sam and Eric thanked me many times for my help, but it is really I who should thank them. It isn't often you get a chance to help out an artist who you love. And then to be even a little part of the experience was just amazing. Back during ABAAS I saw Sam a dozen times over a 12 month period. That year was so special. It will probably never happen to me again. But these three shows may have equaled that (although my cookie story will never be eclipsed). Thank you Sam. Thank you Eric. And for those of you who got this far, thank you for indulging me.

On the Road with Sam and Eric

Okay, the heading is a bit of a joke. The show last night was within driving distance for all of us, but Tim's comment, "More stories from the road" inspired it. Thanks Tim.

Night 2 of my 3 night stand as Sam Phillips merchandise guy was way different than night 1. First, I left my daughter at home. Second, we had a long drive to get out of Orange County and all the way across L.A. county, on a work day, right during rush hour. It wasn't fun folks. But we actually made it to the Canyon Club about 20 minutes early, interrupting Sam's sound check. The Canyon Club is a very nice dinner theater with round tables and even a few tables with signed guitars embedded under glass. The sound system was good and the staff friendly. They had a nice table in front of a booth waiting for us and so Maria and I set up the t-shirts and kicked back for an hour. Sam and Eric were pretty busy so we barely saw them before their show. We did meet Marc Cohn's road manager. It seems that Marc figured that during his little tour he would just have someone from each club run his "merch" table. Well, the Canyon Club's staff was pretty busy and... well... we said, "Sure". This should be interesting. And so the third difference from the night before was that we were going to be handling all of the people buying CDs and posters from the main act. This was going to be a lot more work. He offered us money but we refused. As I told Eric later, if the money didn't tie out and we weren't getting paid I could go tell him to... well you get the idea.

At 10:30, the Canyon Club turns into an 80's disco; shifting everything up an hour. The crowd was let in at 6pm and Sam and Eric went on at 7pm. This meant, as Sam jokingly said to the crowd during her show, that she was going to be interrupting their salads. That has to be so tough for an artist to play while the crowd eats. Sam did her best, but it was so noisy, even those people who might have been interested didn't get much of a chance to hear her. Sam only did about 30 minutes, dropping the Steven Merritt song. My gut tells me that if she had gone with a more electric guitar based set she would have done better. The only way to get past someone's dinner is to play louder than the table conversation. But, Sam and Eric did a good job up there. The sound was much better than at the Coach House. We were off to the side instead of in the back, so we had a much better view. But it was so disappointing to hear people talking during the show.

After the show, we sold several CDs to new fans. I don't believe one person came up to us and said they knew who she was. That was very weird. Even in Orange County, we got a few fans coming up to us telling us how surprised they were that she was on the bill and how excited they were to see her. Actually, there was this couple near the booth who seemed to know her music and were always the first ones to start clapping after her songs. I was hoping they would come up to the booth. I'm sure there were more out there. I just didn't get a chance to meet them. A big thank you goes out to Rich who came to the show based solely on my recommendation. He kept coming over to the booth to get his CD signed and kept missing Sam who was bouncing around the venue after the shows. I also met a guy who did audio/video reviews. I couldn't resist going for the small world concept: Do you know my friend Kim. Of course he did. He knew who she used to work for and what she was doing now. It really is a small world.

Marc Cohn (I believe I misspelled his name last night... Sorry Marc) came out at about 8pm and did a solid show, singing songs from his new CD as well as classics like "Walking in Memphis" and "Silver Cadillac". There is a song called "29 Ways" that Maria and I just loved. He's got a great voice and I really found all of the songs that night to be enjoyable. After the show a lady walked up to me and whispered, "Why isn't he more famous"? Good question. The voice is there. The hooks are there. The band plays with a lot of energy.

After the show, the rush started. We sold about 50 or 60 CDs and a handful of posters. Marc came out after about 15 minutes and sat down at the table next to us. He pretty much ignored us, probably assuming we were Canyon Club staff. You get spoiled when you're hanging with Sam and Eric. Sam came by and brought us a plate of cookies. She is so thoughtful. I hope she doesn't think we are even though (I brought her home made cookies back during her Boot/Shoe tour). I should also mention that they fed us both nights. That was very nice of them to do.

At the end of the evening we didn't tie out. Off by three whole dollars (someone must have stolen a poster). Marc's manager was very happy with that though. We asked for a couple of CDs which he happily gave us and he then offered to get them signed. We followed him into the back and actually met Marc, who seemed a bit tired but was very polite. By 11:30 we were in our hotel room in Valencia (we're headed to Sacramento for the weekend) exhausted but happy.

The final leg of this mini tour is next Thursday at the new Largo. Maria is staying in Sacramento and I'll be manning the booth all by myself. Those of you who are coming to the show, please be patient... and please bring correct change! Largo is going to be great. Sam told me that they are going into rehearsals starting today for that show with Jay Bellerose taking time off from the P/K tour to rehearse with them. And the Section Quartet will be there too. It is going to be a great show. Oh, I said that already, didn't I. Well it is. And if you live in So. Cal. there is no reason for you to miss it. Hope to see some of you there.

Hanging with Sam Phillips and Eric Gorfain

Last night was an absolute blast. I had asked Eric Gorfain at the Borders show if they needed any help with any of the upcoming Sam Phillips/Marc Cohen shows and Eric says, well, we don't have anyone set to handle the merchandise table. And so... Sam was opening for Marc Cohen at the Coach House here in The OC. This is an old stomping ground of mine. I've been to dozens of shows there. This was going to be fun. We get there a couple of hours early and are lead upstairs to Sam's room. It has been a few years since Jessie, my daughter, has been to one of Sam's shows, so she was thrilled to get to talk to Sam again. The 5 of us (Maria my wife, Jess, Sam, Eric and I) spent some time talking... about lots of stuff. The Coach House gets plenty of credit for actually hanging paintings in the room and having a motif. And Garrett, Sam and Eric could not say enough nice things about you. We then headed downstairs to set up the table while Sam and Eric put their work clothes on. We chatted with several fans and soon to be fans before the show. Those of you, who know me, know how much I love to sell a favorite performer of mine. I was in heaven.

Finally, at 8pm it was show time. I NEVER watch Sam from the back of the room, so this was a different experience for me. But, like I told Sam later, it allowed me to sing along with the songs without bothering anyone. This not being her crowd, I thought Sam made a wise choice and opened with "Sister Rosetta". The odds are, people are a bit familiar with it. I made sure to bring up that song to new fans before the show; "Have you heard Raising Sand"? She did several songs from the new CD before pulling out the tape player for her solo rendition of "Animals on Wheels". I think some of the crowd was scratching their heads at that one, but others got the humor in the piece. She then covered a Steven Merritt song (Sorry, I should have asked for a set list) and finished up with "One Day Late" (a bunch of people clapped along to that one) and "Reflecting Light". The mix was not too good in the back, so it is hard to comment on the quality of the show, but Sam's voice was as beautiful as always. Interestingly, Eric's electric guitar was not very loud, but that may have just been my location. Sam did seem a bit timid in between songs this time around. Maybe it was because it wasn't her audience. She did joke around after awhile, asking the audience if she should do 1 or 2 more songs. Ralph, yelled "three". Sam loved that.

After the show, several old and new fans came over and got a chance to meet Sam. She was her usual charming self. And when the crowd went back to their seats, the five of us continued talking. Jess talked to Sam about using her music in her animation pieces (my little girl knows how to network!) and Maria questioned Sam on the meaning of the t-shirts. I chatted with Eric about the 39 things a band shouldn't do when booking a show.

It was so much fun talking music, hanging with these two wonderful people and... I get to do it all over again tonight in Agoura.

Garrent, Sam wants us all to get together. You need to come out to the coast (west coast) for one of the shows.

Ralph and Jeni, I'm expecting a review on the Marc Cohen show. And Jeni, it was a pleasure meeting you.

Rich, hope to see you at the show tonight.

New Music for June 2008

It seems like it took forever to get this batch of CDs onto the play list. I've been sitting with some of these for well over a month. I'm excited about the indie artists this time around, including: Ruby James, John Batdorf, Mason Brothers, EZ Powell Band and Corday. But the more established artists are just as exciting with Sam Phillips, Tina Dico, Kathleen Edwards, R.E.M., Drive-By Truckers, Jackson Brown and Liam Finn all releasing excellent CDs.

Ruby James - Desert Rose (2007)
Persistence... Ruby wrote to ask if I had checked out a link her publicist had sent. I hadn't. A quick listen told me that she was someone who belonged on The Promise and so an email or two later and the CD was on its way. Another nice CD to add to the play list. I wasn't expecting to be so taken by this CD though. The best "Americana" bends the boundaries and "Everything Good Goes Away" was the song that hooked me, with a style that was more Allman Brothers then Emmylou. I love the arrangements on these songs: The slide guitar gliding lightly on top of the acoustic guitars on "Desert Rose", the bluesy feel in "Mistress of the Devil". She's working on a new CD and already I can't wait. http://rubyjames.com/
John Batdorf - Home Again (2008)
Half of the acoustic guitar team, Batdorf and Rodney, John Batdorf has recreated that sound on his new CD, taking beautifully inspired lyrics filled with hope and combining them with near jaw dropping acoustic guitar soloing. A beautiful CD that will inspire you on several levels. You can pick the CD up at CDBaby, http://cdbaby.com/cd/batdorf
Mason Brothers - The Sun The Moon and the Sea (2007)
I believe I could play this CD in the background for hours at a time without needing to turn it off. It is a beautiful, soft acoustic work of art; gentle and yet still exciting. This fits really well next to John Datdorf. http://www.masonbrothersmusic.com/
The EZ Powell Band - Bedroom Eyes (2006)
The EZ Powell Band is a one man band with plenty of potential. The production is very sparse but if you look past the rough edges you can see a talented songwriter trying to be heard. Someone we will be keeping an eye on. http://www.ezpowell.com/
Corday - Superhero (2007)
Jennifer Corday has been playing The O.C. and elsewhere since... well, since it was hip to be a female singer/songwriter. The potential has always been there and now she has arrived with this excellent CD. The songwriting is as good as she's ever done. The production on this CD is the best she has ever had. If you live in the O.C./Long Beach area or have the chance to catch her when she does festivals around the U.S., do so. This new music along with her charisma at live performances will continue to make her one of the most respected acts in the county. Watch out world. http://www.corday.net/
Sam Phillips - Don't Do Anything (2008)
I've already talked about this fantastic CD. See below for reviews of the CD and a recent Borders performance. There will be plenty of this CD showing up on the station. A must buy. http://samphillips.com
Tina Dico - Count to Ten (2008)
Tina's last CD was my CD of the year. I'm not sure if this one will get there, but it stands up very nicely next to her last, "In The Red". A woman on her own, singing about her life and lovers, Tina does it as good as anyone I have heard since... Maybe since Joni did it in the 60's/early 70's.
Kathleen Edwards - Asking for Flowers (2008)
Kathleen continues to grow and develop as a writer. She continues telling stories about people from small towns. And they continue to grab you and make you feel. But nothing she has done, prepared me for the power of "Alicia Ross", where she takes on the role of a young woman who was killed by her neighbor; singing to her mother about her death. Saying goodbye. One song worth the price of admission. The rest of the CD is gravy.
Drive-By Truckers - Brighter Than Creation's Dark (2008)
Jason Isbell has left the band and the writing slack has been picked up by Shoona Tucker, the bassist in the band. What we have is a sometimes gentler sound. When they want to sound like the Stones though, they can rock with the best of them. Another good CD from the social/political storytellers of the South.
Jackson Browne - Solo Acoustic vol. 2 (2008)
It's Jackson Brown, live, telling stories. What else do you need to know?
Liam Finn - I'll Be Lightning (2008)
This is an exciting CD from the son one of rocks finest songwriters, Neil Finn. This is a solo effort in all it's glory with Liam playing most if not all of the instruments. He showed us how it was done in concert last year, and now as I listen to the finished product, it all seemed to come back. The songs and melodies have great staying power. This is someone to watch out for.
R.E.M. - Accelerate (2008)
Returning to the sound that made them the darlings of the media and gave them a huge following, R.E.M. has found their voice again. This is the first R.E.M. CD I've fully recommended thismillennium.

Sam Phillips Live at Borders in Hollywood

Sam Phillips - Live at Borders in Hollywood It's been a year since I last saw Sam Phillips live and with the new CD being released today, the anticipation was almost overwhelming. At exactly 7pm Sam and Eric Gorfain came out to the top of the stairs inside the store where they had created a makeshift stage and the show was on. With a good 50 to 60 people in attendance, the area was packed. I was a little concerned about how they were going to perform these drum heavy songs, but with Eric switching between violin and electric guitar, the essence of the songs showed through. They opened with "Sister Rosetta Goes Before Us" and let me tell you, if you've been listening to the Plant/Krauss version, you're listening to the wrong one.

This was a nice safe start, since she has been performing this song for a couple of years with and without drums. "Little Plastic Life" also fit very nicely as a duo. But how would "No Explanations" do? That song has Jay's drumming all over it. Turns out, it didn't really need it. Eric switched to electric guitar and it continued to have the edge that makes it such a powerful song. Sam sang beautifully throughout the show and Eric's violin was the perfect compliment. She had a few problems with her guitar (it was their first show) but that was the only blemish to a perfect if not short (30 minutes) evening. Okay, there was the aborted attempt to perform "Can't Come Down", but even that problem turned into a fun moment for everyone. Sam was in great spirits, introducing herself, as usual, and also welcoming shoppers to Borders as they walked by her in between songs. This is going to be so much fun watching this show grow and develop over the next few months. After the show was almost as much fun. We ran in to Lynne and caught up. Vickie came out from Costa Mesa to see the show. Thanks Vickie! She bought a CD too. I ran into Kristy Hanson and Mike Chiaburu. Mike produced Kristy's latest CD (do check it out at http://myspace.com/kristyhanson ) and will be performing this Sunday at Sundays on Sunset @ Libertine at 8210 Sunset Blvd (8pm and only $5!). I've never actually met either of them before, but several months ago, Mike saw my picture on Myspace and recognized me from some Sam shows. He sent me Kristy's CD which I really liked. Tonight I was trying to get by him when he stopped me. The two of them are so unassuming. And when you've just spent the last couple of hours watching people in Hollywood, unassuming is way off from the norm. I chatted with Eric for awhile (it wasn't the Dodger's night) and finally got a chance to say hi to Sam. She signed autographs for close to an hour, because, as those of you who have met her know, she really enjoys meeting people and she treats you as if there is no one else in line. She finally met Maria (who loved her) and recognized that it was Maria who yelled out "Obama" when Sam asked what the score was. That's my Maria. If you're in L.A., don't forget, Sam will be playing the new Largo on the 26th of this month. And for the rest of you, check Sam's Border's tour schedule at her website http://www.samphillips.com .

New Music from Sam Phillips

Sam Phillips - Don't Do Anything (June 3rd 2008)
It starts with her voice, "I thought if he understood, he wouldn't treat me this way. No explanations". There's a little electric guitar accenting the voice. And then comes the beat. A big tribal beat that is right up front in the mix and keeps growing and growing as the song continues on. It's not a fast song and when it is just Sam, it feels like a Boot and a Shoe song. But that big drum sound and the fuzzy guitar give it a new feel. "No Explanations" is the opening track to "Don't Do Anything" and a sign that Sam is not standing still in her musical style.

Sam has stated in an interview somewhere that she sees this CD as a cross between ABAAS ("A Boot and a Shoe") and "Martinis and Bikinis". It is easy to see. The big drums on some of the songs and the heavy use of a electric guitar along with several songs that have very catchy choruses really bring back the feel of her mid 90's sound. But the rest of the CD is Sam with her acoustic guitar or piano surrounded by deft drumming from Jay and always gorgeous violin from Eric which is very much the qualities we loved in ABAAS. In fact, this CD is pretty much a trio with Sam on piano and acoustic and electric guitars, Jay Bellerose on percussion and Eric Gorfain (The Section Quartet) on violin (and I understand banjo and other instruments of destruction). Patrick Warren helps out here and there and I believe there are a couple of bass players. The entire Section Quartet gets in on a few songs also.

"Sister Rosetta Goes Before Us" and "Signal" are two of the older songs on the CD and it shows. The sound is very close to ABAAS with some lovely violin from Eric. I believe The Section Quartet are on both of them also.

"Another Song" and "Don't Do Anything" are back to back on the CD. I love this pairing of songs. They almost segue with no time gap between the two. "Another Song" is a beautiful piano based song that reminds you of ABAAS with Sam singing, "Did you ever love me?" while sweet voices sing "La La La" in the background. "Don't Do Anything" is a fuzzy electric guitar based song with Sam singing "I Love you more when you don't do anything?". Is she being sarcastic? Ironic? It seems that her tongue is firmly placed in her cheek. It is so different from "Another Song" and yet they fit together so well. The old (ABAAS) sound and the new style; blending beautifully.

Ever since I totally blew R.E.M.'s "The One I Love", I've avoided discussing lyrics. There are people that are much better at this then I am. But I have been listening to this Cd for several weeks now and I just can't resist making a fool of myself. So... Where "A Boot and a Shoe" was considered by some to be the breakup CD, "Don't Do Anything" finds Sam moving on after divorce. There appear to be references to this past relationship throughout the CD and there are still some emotions that need to be displayed. But there is no doubt that she is moving on. And that is what makes this CD so exciting. For Sam is driven by her passion to make music: To create art. It is her calling and songs like "Can't Come Down" and "Sister Rosetta Goes Before Us" seem to drive home this point. Lyrics from a Sam Phillips CD are never straightforward though. They are more like abstract paintings; giving you small glimpses of reality surrounded by dream like images. Then there is "Watching Out of This World" which seems to be using the TV show "Out of This World" as a metaphor. I wish I had a lyric sheet.

"Watching Out of This World" is the closer and I love it there. So many CDs just sort of end. When you hear "Watching Out of this World" you know the CD is coming to an end and that thought along with the song's feel make you feel a bit melancholy. And then you smile because with a running time of about 37 minutes, you have plenty of time to listen to "Don't Do Anything" all over again.

I generally don't put this much emphasis on a single CD. But the perfect combination of a great CD, an early release copy and a passion for one of my favorite performers made spending this much time and space irresistible. I will be featuring this CD on my station; playing all 12 songs throughout the day, every day until the release date (June 3rd). You can purchase this CD at Amazon.com or if you wish to pick up the CD with bonus mp3s, go to http://www.nonesuch.com/Hi_Band/albums.cfm?album_num=725# and order it there.

New Music for April 2008

We've got lots of new music here and lots more coming in the near future including Sam Phillips latest release (more on that very soon). Meanwhile check out The Promise and enjoy music from the Juno Soundtrack, Nick Lowe, Sia, Paul Thorn, Steve Poltz, Herbie Handcock, Glann HAnsard and Marketa Irglova, The Missiles of October, Josh Ritter, Cat Power, Shelby Lynne, Allison Moorer, Bob Schneider, Carolyn Wonderland, Sean Costello and Shauna Burns.

Shauna Burns - The Moon and The Fire Circle (2008)
Somewhere between Sarah and Kate rides Shauna Burns. With her ethereal voice, spacious arrangements and lots of piano, you can't help but become enchanted with "The Moon and The Fire Circle". Throw in some cello and other interesting strings and you have an album that will let you float away. If you love Sarah or Tori or even Kate, you should really check out this beautiful CD. http://www.shaunaburns.com or http://myspace.com/shaunaburns .
Sean Costello - We Can Get Together (2008)
This is classic blues rock with mighty strong guitar hooks complimented by at times raspy and always engaging vocals. You would think that after all these years blues rock would get predictable and boring, but Sean gives so much of himself to this CD that the music almost transcends the genre making it fresh and exciting. But forget all of that. Try and listen without tapping your foot or playing air guitar. I dare you. http://www.seancostello.com or http://myspace.com/seancostello
Carolyn Wonderland - Miss Understood (2008)
I first saw Carolyn in a small BBQ restaurant in Austin. There was barely a stage there and it was just her and another woman. When she opened her mouth you could feel the passion in this woman. Then when she started playing some slide guitar leads you knew it was only a matter of time for this very talented artist. And this is the CD we have been waiting for. Every song is fit for radio airplay. It opens with what should be a radio classic, the title track "Miss Understood"; a bluesy slide crazy rock nugget. She proceeds to cover lots of ground over the next dozen songs, adding horns, doubling the beat, slowing down for an aching moment of country blues, even throwing in some choice covers. This will be high on my list at the end of the year. http://www.carolynwonderland.com or http://myspace.com/carolynwonderland .
Bob Schneider - When the Sun Breaks Down on the Moon (2008)
One man albums are always tough to review. Just how good would this CD be if he had a full band playing with him. It's not like he can't afford to bring in the hired guns to flesh out the songs. There are lots of interesting songs here, but only a few that really grab you like Bob is capable of. Hearing much of this in concert a few weeks ago, it seems to make more sense now. And I guess, when everyone wants you to spend your time living up to previous classics likeLonelyland , you need to do things without outside influences every so often. Listening to this CD, there is still plenty of good music left in Bob. We'll just have to wait a little longer for his next classic.
Allison Moorer - Mockingbird (2008)
With a voice like Allison's, she could sing the greatest hits of the Archie's and I'd be happy. So, that she has put together an excellent collection of songs written by women, isn't at all a bad thing. She shines on her own song, "Mockingbird" as well as classics "Dancin' Barefoot", "Ring of Fire" and "Orphan Train" by Julie Miller. This is a very enjoyable album. Now get back to writing Allison. We love what you have to say.
Shelby Lynne - Just A Little Lovin' (2008)
Allison's sister Shelby Lynne, has taken a similar yet slightly different route for her latest CD. She has decided to focus on songs made famous by Dusty Springfield. There aren't many that can cover Dusty's songs, but Shelby does a great job. If you like that era of music, then do check out this CD.
Cat Power - Jukebox (2008)
And yet another cover CD... This I believe is Cat Power's second such CD and it starts out with the only version of "New York, New York" that I can stand to listen to these days: That's how unique and powerful a version it is. Cat Power has a style that just overshadows whatever she performs, making any song instantly her own. If you like Cat Power, you'll love this. If you don't, you'll hate this. What else can I say here.
Josh Ritter - In the Dark - Live at Vicar Street (2008)
His last CD really brought him home to me. And so I thought I'd check out this live CD to get a better feel for the older stuff. Great idea on my part. This is one fantastic CD with a DVD to boot. The passion from the audience seems to really bring out the best from Josh and his band. I can't wait to see him live some day.
The Missiles of October - Hope
Saw these guys as an opening act at The Coach House a few months ago and was really impressed. This is a solid CD with interesting songs and solid production and guitar work.
Glen Hansard and Marketa Irglova - The Swell Season (2007)
So, this is really what started the whole thing. If you haven't seen "Once" yet, just go buy it. I guarantee you will enjoy the movie and the music. Glen and Marketa started with this CD, then Glen took some of the songs for a Frames CD and more of them for the movie. So, there's lots that is familiar here. But if you need to have everything related to "Once", you need this in your collection. I still can't get enough.
Herbie Hancock - River, The Joni Letters (2007)
To have a jazz great cover Joni Mitchell seems obvious. Why it has taken this long is beyond me. Yes, it won a Grammy but that is rarely a reason to listen to anything. Great songs performed by excellent vocalists and one of the great keyboard men is the reason to buy this.
Steve Poltz - Traveling (2008)
Steve is one funny guy. And when he writes about his life and the things in it, you can't help but laugh. I don't think a studio album will ever do him justice, but this gets pretty close. He's a fun guy with lots of fun songs, and some deeper meaning if you look close enough.
Paul Thorn - A Long Way From Tupelo (2008)
Speaking of funny, Paul Thorn takes that poor southerner role and spins it around on us until we we see ourselves in a whole different light. This is his best CD since the classic "Ain't Love Strange". And the extra disk with a bunch of live songs is probably worth the price of admission. Buy this CD. Paul deserves so much more recognition. http://www.paulthorn.com
Sia - Some People Have Real Problems (2008)
There is no "Breath Me" (the final song from "Six Feet Under") here and that is too bad. There is nothing bad here, but nothing really stands out. Maybe I need to listen to it some more.
Nick Lowe - Jesus of Cool (2008)
You may remember "Pure Pop for Now People", Nick's first album. And if you didn't know, this was the real title of that album (the record company in the U.S. wouldn't release it that way). With lots of extra songs, this is a must have for anyone who wants to hear the best of what the "New Wave" brought us. "Jesus of Cool" is a great title, but "Pure Pop for Now People" best describes this album.
Juno - Music from the Motion Picture
Obviously a special movie and soundtrack. Indie music from multiple generations make this a unique collection. From Barry Louise Polisar's classic "All I want is You" to the Velvet Underground's "I'm Sticking with You" there is something for every age. And just in case you need some classic rock, "All the Young Dudes" will make you smile.

Bruce Springsteen - Anaheim Honda Center - April 8 2008

It's day two of Springsteen at the Pond... ahh, I mean Honda Center... and I'm doubly excited for I am taking Jessie to her first Springsteen show. We got there around 3:30 and decided to get our wrist bands right away; 269/270 a nice medium number. Anything below it and we're in the pit. Almost anything above it and we're screwed. After a quick dinner across the street we met up with old friends in the parking lot. I was quick to point out that this was my daughter's first show. Everyone was excited for her. At 5pm they herded us into stalls based on our numbers and waited. Finally, the time came. I've never heard a 1000 concert goers get so quiet as he called out the numbers: "1... 1... 4". And then a third of the crowd started cheering wildly! Jessie's first Springsteen show and she's in the pit! I am not only a happy guy, I'm a happy dad. :-)

Inside the arena we decided to shoot over to the far left so that we could lean on the side rail. There was only one row in front of us and they were hanging on the front rail. It was an excellent location with only one annoying person near us (and for only a few songs... he was ayell-er who loved to yell it up at the wrong times). Jessie stood in front of me the whole show, which meant that she probably heard me singing as much as she heard the other Bruce.

The lights went out and Bruce whipped out his harmonica. Thunder Road! What a great opener. This was not going to be a rocker like the night before, but there were going to be plenty of treats. Overall Bruce changed out 7 songs (I believe) from the night before. Highlights included "Candy's Room" and "Atlantic City". But there were tears in the eyes of a few friends of mine when, to open the encore, he played "Meeting Across the River". The song ended and there was no piano as we clapped. I guess no "Jungleland" then. Wrong! For some reason they just didn't start it right away, but we got "Jungleland". For "Dancing in the Dark" he brought up a 6 year old girl who was front and center. What a treat. Jessie ask me how come I didn't take her to these shows when she was younger.Uhmmm, 'cause the E Street band had stopped touring.

Tom Morello, from Rage Against the Machine, came out again. I suppose it was to prove that his amazing guitar solo during "Ghost of Tom Jode" wasn't a fluke. It wasn't. We watched as Clarence walked very very slowly across stage all night. It is tough watching your heroes get old. I believe he has had a couple of hip surgeries. They set up a throne like chair for him when he wasn't playing the sax.

A couple of star sitings to report. We saw, and had it confirmed by security, Kristen Dunst. Jessie thinks she was with Ryan Gosling. Apparently on evening number one, Bruce Willis was there and someone got thrown out of the arena for bugging him too much. Can you believe that? You're there for a great show and you let the an infatuation with the wrong Bruce get you kicked out.

Weirdness: We saw a woman who looks just like Deb. Jessie, who has seen her picture a lot couldn't believe it. And then we saw a double of my friend Kim, who probably wouldn't be caught dead at a Bruce show. I saw TomMorello going in and out of the pit several times. He is really a big fan I guess.

While standing in line I heard someone yelling, "Bruce! Bruce!" I never turn around at Bruce shows. Then she yells, "The Other Bruce!". That got my attention. It was Judy. She ended up right next to us in the pit. Didn't get a chance to see Annie, but heard she was there. Overall it was a great night. Jessie had a lot of fun. She was bragging to her friends, who actually were jealous and it kept up until she got home and found out thatPixar had announced its releases for the next, I don't know, 20 years. She suddenly forgot about the show. Oh well. Still, she was spoiled by what one friend called "The best show on the coast this tour" (he saw both shows up north too), and in the pit too! As I write this, Thursday during my lunch hour, I am still waiting for the effects and the hoarseness to wear off. Below is the set list from backstreets.com .

Setlist:
Thunder Road
Radio Nowhere
Lonesome Day
Gypsy Biker
Murder Incorporated
Magic
Atlantic City
Candy's Room
Reason to Believe
Prove It All Night
Because the Night
She's the One
Livin' in the Future
The Promised Land
Brilliant Disguise
The Ghost of Tom Joad (w/ Tom Morello)
Last to Die
Long Walk Home
Badlands
Out in the Street
* * *
Meeting Across the River
Jungleland
Born to Run
Dancing in the Dark
American Land

Bruce Springsteen in The OC April 7 2008

Living in So. Cal. it seems that every review has to start with a traffic report. Getting to L.A. can be such a bear these days. So, living 10 minutes from the Honda Center in Anaheim (I'm finally getting used to not calling it The Pond) is so nice. I spent more time on theofframp and getting into the parking lot then I spent on the freeway. So when I got there I called up my friend Rocky. We've known each other for half our lives but probably haven't sat near each other for a Bruce Springsteen show since the 80's; maybe never. "Where are you sitting?" I asked. "Section 223", she said. "What row?". "D". "What seat?". "2". "I'm in 5!". Before I could hang up, this guy is bugging me to sell my tickets. I finally look to see who it is and it's Randy. By the way,Meems, Randy says hi. He misses hearing you on the air and he wanted me to tell you about Kulakswoodshed .com ; a cool place in the valley where people go to hear music. He was thinking that if you ever got your band back together, it would be a great place to perform. Sorry, got off track...

Our seats were at about center court and only 4 rows from the floor, making us at stage level. Very good seats. Bruce started an hour late, which is normal for him and came out firing with a rockin' version of "Light of Day" and then continued to just rip through a high energy set list (see below, courtesy of Backstreets.com). Then came the surprises. First we got "Murder Inc.", always a killer. He slowed down a touch for "Magic" and then... "Trapped"! We were screaming at the tops of our lungs. What a great surprise. But the surprises didn't end there...

A couple of songs later we got "Because the Night" with Nils just killing the guitar solo. Maybe not a big surprise, but what followed shortly after was...

We had been hearing that "The Ghost of Tom Joad" was being rehearsed and Rocky wasn't too excited about that. But when Tom Morello from Rage Against the Machine came out, it was obvious this wasn't going to be a potty break version of the song (sorry, when the E Street Band plays, and Bruce decides to slow down, people usually head for the bathroom... we are getting older). Tom did for "Ghost" what Nils normally does for Youngstown; turn it into a guitar solo piece for the ages. The whole place went nuts.

What could top that? Maybe hearing "Rosalita" for the first time in years. That put a huge grin on our faces. There were lots of people showing up on stage including Bobby Bandiera (a Jersey boy), Marty Rifkin and Marc Anthony Thompson. With the wife at home (actually both our wives were at home) Bruce (that would be him not me) was a flirting machine, letting women grab his legs (I even saw one woman grabbing his butt) during several songs. Of course, he didn't leave the guys out, letting then grab and strum his guitar (I think it was during Born to Run).

Generally, when Bruce plays two nights in one town, the second show is the best. He plays the basic show the first night and a more open show the second. The same things goes for multi-leg tours. This is the second time around and he has put aside some of the newer music to play some oldies. He really mixed it up last night and I can't wait for tonight!

Setlist:
Light of Day
Radio Nowhere
Lonesome Day
Gypsy Biker
Murder Incorporated
Magic
Trapped
Reason to Believe
Because the Night
She's the One
Livin' in the Future
The Promised Land
Working on the Highway
The Ghost of Tom Joad (w/ Tom Morello)
Devil's Arcade
The Rising
Last to Die
Long Walk Home
Badlands
Out in the Street
* * *
Girls in Their Summer Clothes
Rosalita
Born to Run
Ramrod (w/ Bobby Bandiera)
American Land (w/ Marty Rifkin and Marc Anthony Thompson)

Bob Schneider and Tina Dico at The Coach House March 26, 2008

What an interesting combination to show up at the Coach House... but it worked. I went solo to the show, which is fine at The Coach House because you are forced to face people at the dinner table and hopefully you have a decent conversation. Speaking of tables, they put me right up against the stage (stage left) which was great for the main shows, but one of the two opening acts had their drum set right up front and... well, let's just say I have a new appreciation for cymbals. Or... let's just say, if it wasn't for my tinnitus already causing my ears to ring, they would have been from the large cymbal that was a couple feet from my face.

After two good opening acts, Tina Dico came out by her self and attempted to tame the "rowdy" Bob Schneider crowd. And tame she did. A couple of songs into the set, the bar actually got quiet (pretty rare during opening acts there). The song that always seems to get everyone's attention is "Magic", a song about a one night stand. It is almost explicit and actually very funny. The first half of her 40 minutes was dedicated to her new CD which is being released in the U.S. in the next week or so. She continues writing songs that look inside people; songs that question why we are. It is great stuff, with beautiful melodies and a sometimes soft but passionate delivery. This Danish beauty's new CD, "Count to Ten" should be on your "To Buy" list.

Tonight we got the milder side of Bob Schneider. With only a two piece band behind him (keyboardist and electric guitarist), Bob spent time playing with tape loops and some electronic drum equipment along with his acoustic guitar; rarely rocking the house like he loves to do. Overall the new CD is a more subdued Bob and so the show reflected that. But the CDs quirkiness made for interesting arrangements and actually a fun show. At one point his keyboardist switched to trumpet (I believe he played a baritone tuba also) and then Bob picked up a trumpet and... Did you know Bob Schneider can play trumpet? Neither did I. He left out almost all of the classic crazy songs like "Tarantula" and "Ass Knocker". But the one he did, "Beatomatic" (often known as the Batman song), was done with different style electric guitar solos during each solo. Very cool. A handful of "Lonelyland" songs got played (if he had dumped those too there would have been a revolt) and one or two from The Californian, and then it was over. It is always nice to see Bob doing it a bit different, but it sure would be nice if he would get his act totally together and do another great CD, like Lonelyland. I'll hit every So. Cal. show when he does that.

Steve Earle and Allison Moorer at Royce Hall March 25 2008

The drive to Los Angeles last week wasn't all that bad for a mid-week rush hour drive. And we got to UCLA (go Bruins!) with enough time to eat a cold dinner available in a side room at Royce Hall. Although Maria has seen Allison Moorer before, she just doesn't remember her. I don't know how that can be. Her beautiful voice and striking looks are hard to forget. I'd mention her songwriting, but her new CD is a cover CD with her performing songs from her favorite female artists. And so, the show pretty much stuck to the new CD. Which is too bad, because Allison can write; as the opening song in her show and the title track from her new "Mockingbird" CD will attest to. It is the only original song on the CD and may have been the only original we saw that night. My take on acoustic performances is that you need to do more than just sing the songs. You need to engage the audience. I really don't think Allison did this either. So, although I could listen to Allison sing all night, the performance could have been (and has been in the past) much much better. She did do a great job interpreting the songs, especially Patti Smith's "Dancing Barefoot" and Julie Miller's "Orphan Train".

Steve Earle's show was an extended version of the show we saw in Austin last September. He played most of the new CD, "Washington Square" accompanied by just his guitars and a DJ. But the show opened with a set of oldies. Nothing political, nothing radical. Just songs the long time fans would love. And they yelled with joy as each new song showed up. This took up the first half of the show, with Steve barely saying a word to the audience (a couple choice remarks here and there, otherwise he just played). But, when he played the anti-death penalty song "Billy Austin", you could see things were about to change. And sure enough, at the end of the song, the DJ came out and the second half of the show was the political side of Mr. Earle, with songs from the new CD and a much more talkative Steve. Allison came out for a handful of songs, singing backup. And when it was over, we had a full 2 hour set with a bit of everything Steve Earle has to offer. He pretty much finished the evening telling everyone, "I'm going to sing this song until it comes true or I die" and then sang "Jerusalem", a song about dreaming of peace in the Middle East.

Overall I enjoyed the shows. Maybe I've been hitting the clubs too much. I really expect every performer to spend time with the audience. Is that too much to ask?

Isaac Himmelman and father at McCabe's

Peter Himmelman has something like 17 albums out (Those are his words, so I may be way off... But there are plenty of them) and tonight was my first full PH show (I saw him at a benefit a few years ago). Shame on me! PeterHimmelman is amazing. He's an original. He is funny, smart, a great guitar player, funny, a brilliant songwriter and did I mention how funny he is? The laughing started before the first note was played. He commanded Daniel, his piano player, to pick a song and when he offers one up, Peter calls it a bad opening song. He then realizes that the only way to open with this song is to have the piano playing as he comes down the stares. So he goes up and then comes down the stairs and goes to pick up his guitar, but it is stuck to the stand. So back up the stairs and he starts all over. Meanwhile, we are already dying of laughter. From that point on it is great songs and out and out lies that you so want to believe because he delivers them with such sincerity. But when Peter tells his son Isaac that he, Isaac, hasn't written a really great love song yet because he hasn't met the right woman, like his mom, you believe him completely. As my Maria noted, this is a truly happy man. And you can see that. He loves being on stage, loves having his family there, loves challenging himself and his audience, not to mention Daniel; who it appears never knows for sure what song Peter is going to play next. During the hour and forty-five minute performance, Peter played many of my favorites from the last fewCDs as well as a couple of songs from his "children" CDs (if you have a little one and want to get them some CDs , these are wonderful and so listenable for adults). But I can't even begin to tell you how great the show was. The nearest comparison I can make is ShawnColvin . Shawn often comes out without a play list but with plenty of stories and she plays a hell of a guitar. So take Shawn and then multiply it all by 10. It is that good. I promise to never miss another localHimmelman show again.

And speaking of Himmelman, Isaac the prodigal son, all of 18 years of age, opened playing 3 wonderful songs that lead me to believe we have a third generation of great songwriters coming from this family. Isaac seems like a wonderful kid to, stating matter of fact that his last name was the main reason he was the opening act. He's got aMyspace page here: http://www.myspace.com/mineisthesunlight and if you have an 18 year old daughter, he is really cute (I already hit him up for my daughter, "If you're interested in a nice Jewish girl...").

The other star of the show was McCabe's itself. McCabe's Guitar Shop is celebrating its 50th year this year and it continues to be one of the best places in town for acoustic music. The sound is perfect, the ambiance with the guitars on the walls is one of a kind. They are having a big 50th celebration at Royce Hall I believe in October.

New Music for February 2008

New music this month from: Kym Tuvim, Kristy Hanson, Sarah Borges, Jennifer Niceley, Shivaree, Johnette Napolitano, Nicole Atkins, Abra Moore, Linda Thompson, Willy Mason and The Cowboy Junkies.

Kristy Hanson - Already Gone (2007)
What really makes this a wonderful CD is that the woman with a beautiful voice is playing behind some of the best and most interesting players in Los Angeles. Jay Bellerose always find a unique way to give us a beat. Patrick Warren knows how to add the keyboards without overpowering. Mike Chiaburu's bass playing gives the whole thing a live jazz club feel. And Kristy sure can sing. Add to it some good songwriting, and you have a CD worth owning. You can get more info here: http://kristyhanson.com
Kym Tuvim - Nothing Sweet Nothing (2008)
A mix of jazz, blues and folk, I guarantee you will be hooked within 2 minutes into the first song of this excellent CD. She sings in a lower register not unlike Tracy Chapman or Joan Armatrading and it just sounds so good in front of her solid backing band. This jumps out to a big lead for best indie artist of 2008. http://www.kymtuvim.com
Sarah Borges and the Broken Singles - Diamonds in the Dark (2007)
Wow, what a CD. Someone was bugging me to check her last CD out and I never got around to it. But this was staring at me during my last visit to Amoeba Records and I picked it up. Every type of Americana you can think of seems to be here. It's a rockin' country CD with not a bad song on it. One of the best from 2007.
Jennifer Niceley - Luminous (2007)
Smokey, sexy, beautiful. This describes not only Jennifer but her music too. A jazzy and cool CD, I was really taken by it. And it didn't hurt that when I close my eyes I can see her subtly sultry performance from last year's ACL festival. http://www.jenniferniceley.com
ONXRT 10 (2007)
Maybe the second best compilation on the planet, last year's disk is a best of disk. And there is lots to love with performances from: The Pretenders, Death Cab, Melissa,Decemberists, Chris Cornell, Warren Zevon, Joan Armatrading and more.
Shivaree - Tainted Love: Mating Calls and Fight Songs (2007)
Ambrosia Parsley and her band do a cover CD. What a unique idea. This must be the 20th cover CD I've listened to in the last year. Luckily, Ambrosia has a voice that can charm the beast while ripping him to shreds. These are not faithful covers, but love and lust songs turned inside out as only Shivaree can do. If you like Shivaree, you will love this quirky, cabaret like cover CD.
A Tribute to Joni Mitchell (2007)
This is a truly inspired lineup for a tribute CD. Some of the artists give it their own spin, from the Bjork version of Boho Dance to the dreamy Cassandra Wilson singing For the Roses. Sarah's version of Blue is heavenly.
Johnette Napolitano - Scarred (2007)
This is an emotional, painful, powerful CD from the leader of Concrete Blonde. There is almost a cinematic style to the lyrics. It has an interesting mix of singing and talk-singing that adds to the mood. Throw in some loud guitar (remember Concrete Blonde was influenced by Thin Lizzy) and you have a captivating CD.
Nicole Atkins - Bleeding Diamonds (2006)
Only 6 songs here, but she is someone to keep an eye on.
Abra Moore - On the Way (2007)
What a mature release from Abra. The songs are so well crafted and each has its own inner beauty. I could listen to this CD all day.
Linda Thompson - Versatile Heart (2007)
Richard's ex, puts out a solid piece of folk rock. And her son helped produce. How sweet is that? Seriously, check this one out. She deserves so much more fame. One of the best unknown singer/songwriters.
Willy Mason - If The Ocean Gets Rough (2007)
Willy just keeps getting better and better. I've been watching this kid grow up over the last several years. His performance at ACL last year made it clear that this boy is now a man. This is a more straightforward CD than the last one, and that should translate into more fans.
Cowboy Junkies - Trinity Revisited (2007)
A wonderful recreation of a special CD. The Junkies go back to church, sharing the stage with Ryan Adams, Vic Chesnutt, Natalie Merchant and Jeff Bird. Maybe not as good as the original, but the CD/DVD combo is still special.

Jamaica

Oops. I forgot to post about our day in Jamaica...

If it’s Friday, it must be Jamaica “mahn”. Deb and Linda literally climbed up a waterfall while we watched. And then we hung out on a nice beach while the locals served us rum punch and Jamaican beer. Overall, I wasn’t too impressed. There was a certain attitude in Jamaica that we didn’t see in either Mexico or Grand Cayman. But it was so nice to just sit out on the beach and relax.
We got back on the ship and after a short nap we ran out to the pool area for Buddy Miller’s show. I can’t believe Deb missed it because it was easily one of the highlights of the week. There was smoke on the deck, so Maria left early and that left me with a “standing option”. And there was just enough room in the pit for one more guy, and that was me. Buddy came out and well, you can see right away why Patty, Shawn and Emmylou love him. He is just such a likeable guy, who looked out and pretty much assumed everyone was there to hear the ladies. And so, after a couple of great country type rockers, he brought out Shawn to sing (as she put it) a woosy song. Shawn was really enjoying him rockin’ and playing his guitar. One of the things that makes Buddy great (besides his guitar work) is his ability to see great songwriting. Every song he performed just seemed like a classic. And being the guy he is, every songwriter got his due, before he played their song. After a few songs, Shawn left the stage and Buddy started playing “I Worry Too much”. Well, the hook in the chorus was just too much for Shawn and Patty so as Buddy started the second verse, they leaped up on stage to help. 10 seconds later Emmylou decided to join them. This is why we came on the cruise. To see performers wanting to be on stage with their friends. No real script to follow. They were just doing what was in their hearts. As the ladies started to leave the stage, Buddy stopped Patty and kept her up there with him for awhile. At one point, as Buddy was tuning his guitar, Patty said to the audience, “We love playing with Buddy”, and Buddy without missing a beat responded, “I am the luckiest guy on this ship”. We all applauded, because we knew he was right. Patty finally left the stage and after a song or two, Emmylou did her time on the state with Buddy. What was supposed to be an hour set stretched out to nearly an hour and a half. Buddy, being the good guy that he is, asked the staff if it was okay if he ran long. After getting the okay, he looked at us and said, “Hey, there are rules and we have to follow them. I don’t know why”. Standing out in the sun watching great performers play great music, surrounded by people who love music: Does it get any better than this? I don’t think so.








With all the great shows every night, how was Brandi Carlile going to compete. We saw her a couple of years ago opening for Shawn Colvin at the Coach House. I loved the show and bought her current CD. Maria enjoyed her, but liked the third act even more (wish I could remember who that was). But Brandi at 26 (I believe) has really started to grow up. Maria called this her favorite show of the cruise. Opening with Elton John’s Sixty Years, she served notice that this was going to be a powerful show. Her voice, which really belongs in Nashville (she is from Seattle), echoed throughout the hall, sending chills to those who had never heard her before. Her country based falsetto shows up at the most interesting times. I really believe that she needs to move to Austin or Nashville to complete her education. The big question on my mind was: How is she going to fill an hour and a half set. There were some excellent choices for covers, including Bob Dylan’s “Don’t Think Twice” and a fun sing-a-long on piano (she is starting to play piano) with the first half of Queen’s “Bohemian Rhapsody”. Shawn Colvin came out for a couple of songs including a beautiful version of “Calling all Angles”. She closed with a stunning version of Leonard Cohen’s “Hallelujah”. Brandi Carlile is a growing performer, but at only 26, she easily fits in with this esteemed group of singer/songwriters.

Cayamo Cruise - The last day

It is our final day on the boat and boy is it going to be hard getting back to the real world. After sleeping in we did the gym thing and then headed to the dining room to wait for our bonus show; which was Patty Griffin.

Because we signed up early, we were placed in the first group. Everything about the way this festival on water has been run has been first class. Even waiting in line was so much better than the real world. They took over the dining room and we just sat at a table with other die hard fans chatting about Patty and the other shows. We have met so many nice people on this cruise. And there is always something to talk about. Unlike other cruises we have been on, we have so much in common with so many of these people. We must have sat at that table for a good hour and a half, but it felt like 20 minutes. After being escorted into the lounge, I did a quick move to the left and ended up front and center for the show. With Patty’s voice still suffering from her cold, she decided to do an interview and only play a few songs. The interview was nice because Patty saves her opening up for her songs. It was really good to hear an extended conversation with her. Her 3 songs were a portion of the first song she ever wrote, Up to the Mountain and the little French number she has been doing on tour over the last year. A little disappointing (not her performance, just the lack of songs), but hey, I can’t complain: I was only a few feet away from one of my favorites.

With shows being moved around we were able to arrange our schedule to see Ari Hest. Playing in a small club on the ship, Ari was one of the few artists with no hint of a country background. His easygoing rock approach was actually a nice change of pace. Deb is a big fan of his. I had seen him a few years back as an opening act and wasn’t as impressed. But on this night he really shined. He opened with just himself on guitar and a borrowed cello player from Brandi Carlile, but then brought on his band (bass, electric guitar and drums) for the rest of the set. About half way through the set, he surprised the crowd by leaving and was replaced by Edwin McCain. Actually, they were playing in adjacent rooms and decided to swap rooms for one song. It actually worked out very well, with Edwin telling a few jokes about being able to play a song about an ex-girlfriend since his wife was in the other room. I think I may have to pick up an Ari CD. You all may be interested in his current project: 52 songs in 52 weeks. Each week he emails a new to you. I think he is charging $20 for a whole year of songs. You can’t beat that.

Emmylou Harris is our final concert of the week. I went in expecting to get a little itchy after a half hour or so, but was really captured by not only her variety of songs but also her spirit. She did lots of older tunes (a couple from her duet album with Linda Ronstadt, as well as some songs from the 50’s), but ultimately the most inspiring aspect of her show was her songs. Emmylou was a recording star for some 15 years before she started writing her own songs. She admitted to us that it was tough in the beginning because she loved to sing sad depressing songs and she had a very happy childhood, “Darn”. Buddy Miller was her main band member, singing all of the duets with her and once again leaving us with lots of tasty licks from his guitars. Patty Griffin did show up for a quick harmony on one song. Otherwise it was all Emmylou and Buddy. What a wonderful end to a fantastic week.

Andy, the owner of Sixthman, the company that put on the cruise, came out before the show and thanked us all for coming. He promised us an even better event next year. Deb had a chance to talk to him earlier in the day. He told her that all of the artists wanted to come back but that he could only take half of them. What a great experience this was. Sixthman staff did a great job at almost ever turn of the boat. The only issue was a bit of confusion about the bonus shows. But the staff was there for us throughout the week and all of the shows went on without a hitch. The sound in the main room was excellent every night (except for Shawn Mullins show which was too loud) and the other rooms all sounded great too. The shows by the pool were just a blast and… well, I could go on and on. I hope to be onboard next year when Cayamo sails again. Meanwhile, please check all of my blog entries over the next week. I will be posting pictures and videos as quickly as I can.

Patty Griffin at Cayamo

Today’s stop is Grand Cayman and we are all going out to feed the fishes. Okay, not all of us. Actually, I was the only one with enough nerve to feed the stingrays. You know, the fish that killed the alligator guy. But these guys were so cute and cuddly. It was like touching wet mushrooms. They would just swim up to you and rub against you. Just don’t step on one or you’re gonna be in a world of pain. We all got in the water, some longer than others, and just had a blast. Speaking of water, the pictures will come later, but it was a beautiful emerald green and crystal clear. After feeding the stingrays, we went over to a coral reef and did some snorkeling. It was all pretty amazing with the fish swimming by and the coral all around. What a special day it was. And it needed to be, because it is going to take a lot to beat Patty Griffin on a boat. That’s up next.

We had dinner with the members of the Mad Mission discussion group. It was fun putting faces and voices to names. Each of us in the group has a very different view of music, which was so interesting. But what we did have in common was that we were all there to see Patty.

Patty has been fighting a cold/flu for the last week, and although she has recovered and her voice was fine, the energy just wasn’t there. But hey, it’s Patty and that means, energy or not, it is always a special show. The set was also a bit short; maybe running an hour and 10 minutes. Patty, as always, was fabulous. Like most of the performers on the ship, she played with a scaled down band with just percussion and guitar (and the occasional Buddy Miller on whatever). Emmylou and Shawn showed up for some background harmonies. One of my favorite moments was a reworked version of Tony. Apparently she wanted to take it back to the original version before it got rearranged on Flaming Red. I waited too long to write this though and the songs have started to blur into all of the other music. But there will be several songs on Youtube soon (and not just from me I’m guessing. I saw a few other people videoing the shows). Patty wasn’t the highlight of the week for me, but I loved the show. We had a shore excursion the next day at 8am, so we all called it a night and prepared for Jamaica.