Jamaica

Oops. I forgot to post about our day in Jamaica...

If it’s Friday, it must be Jamaica “mahn”. Deb and Linda literally climbed up a waterfall while we watched. And then we hung out on a nice beach while the locals served us rum punch and Jamaican beer. Overall, I wasn’t too impressed. There was a certain attitude in Jamaica that we didn’t see in either Mexico or Grand Cayman. But it was so nice to just sit out on the beach and relax.
We got back on the ship and after a short nap we ran out to the pool area for Buddy Miller’s show. I can’t believe Deb missed it because it was easily one of the highlights of the week. There was smoke on the deck, so Maria left early and that left me with a “standing option”. And there was just enough room in the pit for one more guy, and that was me. Buddy came out and well, you can see right away why Patty, Shawn and Emmylou love him. He is just such a likeable guy, who looked out and pretty much assumed everyone was there to hear the ladies. And so, after a couple of great country type rockers, he brought out Shawn to sing (as she put it) a woosy song. Shawn was really enjoying him rockin’ and playing his guitar. One of the things that makes Buddy great (besides his guitar work) is his ability to see great songwriting. Every song he performed just seemed like a classic. And being the guy he is, every songwriter got his due, before he played their song. After a few songs, Shawn left the stage and Buddy started playing “I Worry Too much”. Well, the hook in the chorus was just too much for Shawn and Patty so as Buddy started the second verse, they leaped up on stage to help. 10 seconds later Emmylou decided to join them. This is why we came on the cruise. To see performers wanting to be on stage with their friends. No real script to follow. They were just doing what was in their hearts. As the ladies started to leave the stage, Buddy stopped Patty and kept her up there with him for awhile. At one point, as Buddy was tuning his guitar, Patty said to the audience, “We love playing with Buddy”, and Buddy without missing a beat responded, “I am the luckiest guy on this ship”. We all applauded, because we knew he was right. Patty finally left the stage and after a song or two, Emmylou did her time on the state with Buddy. What was supposed to be an hour set stretched out to nearly an hour and a half. Buddy, being the good guy that he is, asked the staff if it was okay if he ran long. After getting the okay, he looked at us and said, “Hey, there are rules and we have to follow them. I don’t know why”. Standing out in the sun watching great performers play great music, surrounded by people who love music: Does it get any better than this? I don’t think so.








With all the great shows every night, how was Brandi Carlile going to compete. We saw her a couple of years ago opening for Shawn Colvin at the Coach House. I loved the show and bought her current CD. Maria enjoyed her, but liked the third act even more (wish I could remember who that was). But Brandi at 26 (I believe) has really started to grow up. Maria called this her favorite show of the cruise. Opening with Elton John’s Sixty Years, she served notice that this was going to be a powerful show. Her voice, which really belongs in Nashville (she is from Seattle), echoed throughout the hall, sending chills to those who had never heard her before. Her country based falsetto shows up at the most interesting times. I really believe that she needs to move to Austin or Nashville to complete her education. The big question on my mind was: How is she going to fill an hour and a half set. There were some excellent choices for covers, including Bob Dylan’s “Don’t Think Twice” and a fun sing-a-long on piano (she is starting to play piano) with the first half of Queen’s “Bohemian Rhapsody”. Shawn Colvin came out for a couple of songs including a beautiful version of “Calling all Angles”. She closed with a stunning version of Leonard Cohen’s “Hallelujah”. Brandi Carlile is a growing performer, but at only 26, she easily fits in with this esteemed group of singer/songwriters.

Cayamo Cruise - The last day

It is our final day on the boat and boy is it going to be hard getting back to the real world. After sleeping in we did the gym thing and then headed to the dining room to wait for our bonus show; which was Patty Griffin.

Because we signed up early, we were placed in the first group. Everything about the way this festival on water has been run has been first class. Even waiting in line was so much better than the real world. They took over the dining room and we just sat at a table with other die hard fans chatting about Patty and the other shows. We have met so many nice people on this cruise. And there is always something to talk about. Unlike other cruises we have been on, we have so much in common with so many of these people. We must have sat at that table for a good hour and a half, but it felt like 20 minutes. After being escorted into the lounge, I did a quick move to the left and ended up front and center for the show. With Patty’s voice still suffering from her cold, she decided to do an interview and only play a few songs. The interview was nice because Patty saves her opening up for her songs. It was really good to hear an extended conversation with her. Her 3 songs were a portion of the first song she ever wrote, Up to the Mountain and the little French number she has been doing on tour over the last year. A little disappointing (not her performance, just the lack of songs), but hey, I can’t complain: I was only a few feet away from one of my favorites.

With shows being moved around we were able to arrange our schedule to see Ari Hest. Playing in a small club on the ship, Ari was one of the few artists with no hint of a country background. His easygoing rock approach was actually a nice change of pace. Deb is a big fan of his. I had seen him a few years back as an opening act and wasn’t as impressed. But on this night he really shined. He opened with just himself on guitar and a borrowed cello player from Brandi Carlile, but then brought on his band (bass, electric guitar and drums) for the rest of the set. About half way through the set, he surprised the crowd by leaving and was replaced by Edwin McCain. Actually, they were playing in adjacent rooms and decided to swap rooms for one song. It actually worked out very well, with Edwin telling a few jokes about being able to play a song about an ex-girlfriend since his wife was in the other room. I think I may have to pick up an Ari CD. You all may be interested in his current project: 52 songs in 52 weeks. Each week he emails a new to you. I think he is charging $20 for a whole year of songs. You can’t beat that.

Emmylou Harris is our final concert of the week. I went in expecting to get a little itchy after a half hour or so, but was really captured by not only her variety of songs but also her spirit. She did lots of older tunes (a couple from her duet album with Linda Ronstadt, as well as some songs from the 50’s), but ultimately the most inspiring aspect of her show was her songs. Emmylou was a recording star for some 15 years before she started writing her own songs. She admitted to us that it was tough in the beginning because she loved to sing sad depressing songs and she had a very happy childhood, “Darn”. Buddy Miller was her main band member, singing all of the duets with her and once again leaving us with lots of tasty licks from his guitars. Patty Griffin did show up for a quick harmony on one song. Otherwise it was all Emmylou and Buddy. What a wonderful end to a fantastic week.

Andy, the owner of Sixthman, the company that put on the cruise, came out before the show and thanked us all for coming. He promised us an even better event next year. Deb had a chance to talk to him earlier in the day. He told her that all of the artists wanted to come back but that he could only take half of them. What a great experience this was. Sixthman staff did a great job at almost ever turn of the boat. The only issue was a bit of confusion about the bonus shows. But the staff was there for us throughout the week and all of the shows went on without a hitch. The sound in the main room was excellent every night (except for Shawn Mullins show which was too loud) and the other rooms all sounded great too. The shows by the pool were just a blast and… well, I could go on and on. I hope to be onboard next year when Cayamo sails again. Meanwhile, please check all of my blog entries over the next week. I will be posting pictures and videos as quickly as I can.

Patty Griffin at Cayamo

Today’s stop is Grand Cayman and we are all going out to feed the fishes. Okay, not all of us. Actually, I was the only one with enough nerve to feed the stingrays. You know, the fish that killed the alligator guy. But these guys were so cute and cuddly. It was like touching wet mushrooms. They would just swim up to you and rub against you. Just don’t step on one or you’re gonna be in a world of pain. We all got in the water, some longer than others, and just had a blast. Speaking of water, the pictures will come later, but it was a beautiful emerald green and crystal clear. After feeding the stingrays, we went over to a coral reef and did some snorkeling. It was all pretty amazing with the fish swimming by and the coral all around. What a special day it was. And it needed to be, because it is going to take a lot to beat Patty Griffin on a boat. That’s up next.

We had dinner with the members of the Mad Mission discussion group. It was fun putting faces and voices to names. Each of us in the group has a very different view of music, which was so interesting. But what we did have in common was that we were all there to see Patty.

Patty has been fighting a cold/flu for the last week, and although she has recovered and her voice was fine, the energy just wasn’t there. But hey, it’s Patty and that means, energy or not, it is always a special show. The set was also a bit short; maybe running an hour and 10 minutes. Patty, as always, was fabulous. Like most of the performers on the ship, she played with a scaled down band with just percussion and guitar (and the occasional Buddy Miller on whatever). Emmylou and Shawn showed up for some background harmonies. One of my favorite moments was a reworked version of Tony. Apparently she wanted to take it back to the original version before it got rearranged on Flaming Red. I waited too long to write this though and the songs have started to blur into all of the other music. But there will be several songs on Youtube soon (and not just from me I’m guessing. I saw a few other people videoing the shows). Patty wasn’t the highlight of the week for me, but I loved the show. We had a shore excursion the next day at 8am, so we all called it a night and prepared for Jamaica.

Cayamo Cruise with Lyle, Shawn, John and Shawn

We touched down in Mexico today; the island of Cozumel. Deb and Linda took off early for some snorkeling and ATV riding. Maria and I decided to sleep in and wander the port area. We found some real Mexican food in a restaurant a few blocks off the main strip. It was a bit hard ordering though. No, not because of the language barrier, since Maria speaks Spanish. Everything seem to have either pork or was cooked in lard; neither of which Maria wanted anything to do with. We ended up with some pretty good chicken fajitas. Down the street we found a little museum that was… little. Later (not much later) we stuck our feet in the crystal clear water just past the main strip. Maria had bought a cute t-shirt in Miami and wrote Obama on it. All day, the hawkers in front of the stores where commenting on it. One guy said, “If Obama wins, he is moving to the U.S.”. All in all a fun day.

And then came the evening… and the music. But first, how can we talk about a cruise without talking about the food? Tonight was the best dinner yet with most of us having either the prime rib or the lobster. I went with the lobster only because it came with risotto. Yum. The shrimp that came with it was actually better than the lobster. But the cherry’s jubilee left something to be desired. So far, the food as been only okay. We’ve had much better on the Royal Caribbean cruise line. We also met up with most of the onboard members of the Mad Mission group (Patty Griffin fanatics). Thursday night we will all be getting together for dinner.

I think the artists are having more fun than us. Maybe too much fun. It appears that Josh Rouse may have missed the boat when we were in Cozumel. I think he did it on purpose though, so that he wouldn’t have to play the casino later this week. Later this week? Oh my God, the cruise is half over already! Sorry, I got off track. Fun. We were talking about fun. So, each of the artists we have seen has gone on and on about how much fun the cruise has been. Shawn Colvin talked about getting to hang with her friend Lyle and Lyle talked about getting to hang with his friend Shawn Colvin. And Shawn Mullins talked about hanging with all of his heroes. Ya think they are going to do this again?

Lyle Lovett was our main attraction tonight. He put on a great show with his six piece band. Hmmm, let me count… Guitar, mandolin, drums, percussion, electric standup bass and cello. Yep, six. When we saw him in Austin a couple of years ago, he had that Large Band. He doesn’t need them. Not with the material he has to pick from. Not being a regular at his shows this felt like a greatest hits selection. But maybe he just has so many great songs that it was just a normal show. Every song sparkled as if it were brand new. For the man who acts like he’s afraid of the dark, he plays with the confidence of someone who’s been in the business for 20 years. Oh wait, he has. His chats with the audience were engaging and humorous and just a whole lot of fun. About half way through the show, he brought on Shawn Colvin who sang backup on several songs. The harmonies were absolutely beautiful. As the show got closer to the finale, Lyle brought out another good friend, John Hiatt. He hung for a few songs also, singing and playing guitar. And speaking of guitar, I love John. He is a great songwriter and a powerful singer. But I didn’t realize how big his cojones were. John went toe to toe with Mitch Watkins trading solos back and forth. If you’ve never seen Mitch Watkins play guitar, the only word to use is, “wow”. He can rip out a solo as easily as most of us breath. Like I said, John Hiatt is a great songwriter. Another great show for the Cayamo cruise.

Deb and I hung around for the late late show which was Shawn Mullins. This is another performer I’ve only heard a few things from of but have wanted to see live. He also put on an excellent show. A storyteller in the Kris Kristofferson style, Shawn sang and talked his way through a fascinating hour and a half set. His stories before the songs were just as interesting. He told the real story behind Lullaby (it wasn’t anyone famous) and even played a murder ballad for us (okay, it wasn’t really a ballad). There were also about 4 or 5 new songs, each with introductions that made the songs even more interesting. No stars joined him on stage, but his guitar/mandolin player (sorry can’t remember his name) was really really good; playing some great leads on electric guitar as well. Shawn finished off the set with a killer version of Steve Earle’s Cooperhead Road. And that was about all we could handle for one evening. Up next, feeding the stingrays!

Shawn Colvin at Sea

Yesterday was a day at sea, which means music from early afternoon till early morning. With 4 days in front of us, Maria and I decided to have a relaxing day today. We hit the gym, which was packed, walked around a bit onboard and took a midday nap. Late afternoon I headed out to the pool area to see Gaelic Storm; an Irish rock band out of Los Angeles.

Standing out in the sun with the wind blowing and the beer flowing, there is no better setting for an Irish drinking band. I was tapping my feet and singing along to songs about… well pretty much all of the songs seemed to be about drinking. Deb and Linda found me about half way through and we watched some classic fiddle playing along with an electric bagpipe (wasn’t really impressed with the sound of it… he mainly played a standard bagpipe) power this 5 or 6 piece band (remember the part about the beer flowing?).

There was a tacky Mardi Gras parade immediately following the show. The only highlight from this was that they played Dr. John over the sound system as necklaces were raining down on us from the upper deck. About half way through, several streamers were shot into the air and the colored paper was swirling around the deck as the wind picked it up.

The evening was set aside for Shawn Colvin. Deb and Linda saw her smaller show in the afternoon. It was a typical Shawn show with lots of laughs, screaming monkeys and a few guests. But the late night show was something special. Shawn was as focused as I’ve ever seen her. It looked like she had a set list taped to her guitar and was pretty much planning to stick to it. Part way through the show the requests started coming. And when the yelling died down (did I mention Shawn said tonight’s show was going to be about death and regret?) she told the crowd that she wanted to do things a bit different tonight. This meant no Polaroids and a few other classics were missing. But Shawn’s singing and guitar playing was right on and the show really seemed to have purpose. What a powerful show. Stories that you will probably never hear anywhere else showed up just for us. I don’t expect to hear the theme to the original Poseidon Adventure any time soon. Joining Shawn on stage were Lyle Lovett and Brandi Carlile. I hope to post videos of them when I get on dry land. And so, it just seemed a step down to sit and listen to anyone else this night, so after a bit of gambling and some ice cream, we called it a night. It’s Lyle Lovett tonight!

Day 1 - John Hiatt, Edwin McCain and Josh Rouse

You know this is a different cruise as soon as you step on board. They were playing a song from Bruce Springsteen’s latest CD, Magic, in the bar. And then when we went to meet up with Deb and Linda, they were playing a World Party song out by the pool. Musically, a cruise just can’t get any better than this. I believe I also heard some Tom Waits as I was leaving the pool area. Enough said.

Playing in one of the bars for the first couple of nights is a young man named Brandon Young. He has a sweet high voice that immediately reminds you of Jeff Buckley. There wasn’t a lot of room in the bar, so we hung back and enjoyed from a distance. I am going to have to check out more of this guy later.

Instead of trying to hit every show, we decided to get settled in and relax for a few hours. There is just so much music here. And after a few hours wait, the real shows began. And what an opening night!

Up first was John Hiatt. There is no surprise here when I say that John put on a great show. He always does. With just an assortment of guitars and his piano to accompany him, John entertained the crowd with a great mix of songs going back a good 20 years for some. One of the highlights was a slow but electric version of Perfectly Good Guitar. But if you’re a John Hiatt fan, I’m sure you would probably point out your favorite as the highlight. And there were many. Throughout the hour and a half show he slipped in boat related ad-libs before and during the songs. And typical of just who he is as a person, John offered himself up during the cruise saying that he was more than willing to sign autographs or whatever if you run into him. The crowd was very courteous (a good sign for the rest of the week), but a bit sedate (not a good sign for the artists).

So, after an hour and half it is time to go home, right? No, the night is just getting going. Maria and I are in the seventh row for the main event every night. Deb and Linda are in the third row. After the show, I moved up with Deb and Maria and Linda called it a night.

I have never seen Edwin McCain, and actually, other than one song, I really hadn’t heard his music. What a wonderful surprise he turned out to be. Reminding me of a soulful Marc Cohen, Edwin and his two piece band (Edwin on rhythm, a lead guitarist and a sax player) played some white southern soul with some jazz thrown in. It was at times like a cross between (again) Marc Cohen and Bruce Hornsby. Almost every song had a story and almost every story had a few laughs. We loved almost every song (there was a song that he thanked people for playing at their weddings which, being a song you play at weddings, had every cliché in the book. I could have missed that one). Another hour and a half of great music. Wow!

It was almost 1am so we slipped out just before the end of the show because we needed to get to the other side of the ship for Josh Rouse. Josh was playing in a cool little lounge with big couch-like booths. It was a very intimate show with Josh on acoustic guitar and harmonica. The last time I saw Josh it was at the ACL show with a thousand people watching him. I really think he does better in this kind of setting. After a couple of jovial people like John and Edwin, Josh was darn near serious. But he loosened up as the hour set moved along and near the end of the evening lead us in a sing-a-long from the TV show “Welcome Back Kotter”. The intimate setting and late hour (we were there until 2am) gave the songs a very delicate feel. In fact it felt like Josh was taking each song and examining it as he played; almost as if it were the first time. It was a memorable set that kept all but one person awake the entire hour (as we shuffled out a gentleman was sitting in a chair fast asleep).

So, the first evening was a major success. And we have 5 more of these coming? Tonight is Shawn Colvin. Can’t wait.

Oh, one more thing. The Internet connection is very slow. I’ve got videos I’ll be posting on Youtube, but they may not make it up until next week. I will at least have one John Hiatt song up (if it ever finishes). The pictures seem to be having problems too (but that may be because of the Youtube slowness).

Cayamo Singer/Songwriter Cruise

Well, we are out at sea on the Cayamo Singer/Songwriter Cruise. It has already been a whole lot of fun. Tonight the main attraction is John Hiatt. Tomorrow is Shawn Colvin. And as the week goes on we will be seeing, Shawn Mullins, Lyle Lovett, Patty Griffin, Brandi Carlile and Emmylou Harris. I hope to have pictures and maybe some video for you all, so stay tuned...

Paul Thorn and Missiles of October at the Coach House

I've been working my butt off pretty much since the first of the year and oh so needed a break Friday night. I needed some music and a few laughs not to mention some tequila. Luckily we had tickets for Paul Thorn and I don't need to be suspenseful here, it was going to be a great night.

The only disappointment of the evening was the tequila. The Coach House doesn't have much of a selection. One shot was all I really needed to take the edge off (I was driving after all).

Up first was "The Missiles of October". The lady selling the CDs was really selling them hard: "You're going to love them". And she was actually right. In many ways the leader of the band, Poul Finn Pedersen, reminds me of John Hiatt. The songs ranged from rockin' to soulful ballads with a few Caribbean numbers thrown in to get the feet tapping. The band was tight and really projected the songs out there. It was afterward that I found out that the guitarist was Richard Bredice. If you are a hardcore music person you know Richard from Jules and the Polar Bears (Jules Shear's wonderful band from the late 70's). I believe he does more production these days (they recorded at least one of their CDs in his home studio). His guitar solos where right on throughout the 1 hour show. What a wonderful surprise to start the evening.

I've never seen Paul Thorn with his band, and what a treat it was. Paul has a not so smart and a bit naive southerner routine going; both in his songs and his raps in between. He was killing us with some of his new stories about marriage and the old days in the trailer park. The truth is, he is just like the rest of us, making mistakes in his life and finding love in all the wrong places. His songs seem so simple, yet they speak to all of us. Well, they speak to the white trash side of us anyways. And the band just takes it up a notch, really rocking when the songs call for it. He opened with "Mission Temple Firework Stand" and pretty much closed with "Burn Down the Trailer Park" and we really had trouble staying in our seats (it's a no-no standing at the Coach House unless you go to the side of the stage). But the lyrics are really what Paul is about, so part way through the set, the band left and Paul did a few acoustic numbers. What was interesting about this was that he used this time to play songs from his new CD. This allowed us to hear the lyrics and made it an obvious decision as to buying it (yes we did). Otherwise, he played most of my favorites and I'm sure most of the crowds, but mixed in a lot of new songs. What a fun evening we had. I'm telling you, don't miss him next time around. There is really nobody like him. Go check out his web site at http://www.paulthorn.com and you must listen to "Ain't Love Strange", one the great unknown CDs.

Favorites for 2007

Let's get this straight... These aren't "The Best" of 2007, just my favorites. These are the songs and CDs that kept showing up on my CD player. There were lots of great ones this year and these are the best of the best; IMHO. :-)

Favorite Singles
Damien Rice - When Doves Fly
Okay, this isn't really from 2007, but it is the year that I came across it. From an Australian compilation called "Like a Version", Damien creates the type of magic that you rarely get from a cover. From the opening chords, there is something familiar about it. Deep down you know where this song is headed. And when it gets there it will put a big smile on your face.
Rufus Wainwright - Going To A Town
One of the great voices in music today has created his best song to date. With lines like "Tell me do you really think you go to hell for having loved?", Rufus lashes out at the intolerance that still exists today. Combine that with a killer melody and Rufus' natural passion and you have THE BEST song of the year.
Bruce Robison - It Came From San Antonio
Bruce creates a spot-on tribute to The Sir Douglas Quintet with this fun rocker. All of the energy and excitement comes flowing out, just like in the 60's when DougSahm and his band had big hits with songs like "She's About a Mover".
The Red Button - Cruel Girl
A perfect song. Right out of the 60's, this is just pure pop.

Favorite Major Label CDs
Robert Plant and Alison Krauss - Raising Sand
Who knew that Bobbie could sing so soft? What a great pair of voices. Then throw in one of the best producers, T-Bone Burnett, and finish it off with lots of good songs, including a new one from Sam Phillips.
Steve Earle - Washington Square Serenade
Changing your style is always a big risk. Steve gets lots of extra points for fiddling with a winning sound. And apparently, being in love has been good for his songwriting too.
Patti Scialfa - Play it as it Lays
This is her best CD yet. Patti's songwriting is so good that her husband could probably take a few lessons from her.
Once - Music from the Motion Picture
The songs tell the story in this movie. It's a wonderful story and that makes this the best soundtrack of the year.
Lori Mckenna - Unglamorous
Wake up America, there's another great songwriter here. Lori's country/folk/rock is contagious.
Joni Mitchell - Shine
If there was to be a degree in singer/songwriting, Joni's music would have to be the bulk of the coursework. "Shine" is a wonderfully social and political work. This is the best grandmother writing today and the younger generations still have plenty to learn.
Bruce Springsteen - Magic
This is the best E Street CD in many years. It may not be as emotionally satisfying as his 70's classics, but these are good songs that really pick up steam with multiplelistenings and in concert.
John Fogerty - Revival
CCR is back as John makes peace with the past and returns to the sound that made him famous.
Crowded House - Time On Earth
It's as if they never left.
Shane Nicholson - Faith & Science
He was the guy who could replace Crowded House. Now we've got two of them.
Joan Armatrading - Into The Blues
Joan takes her own path to the blues.
Rufus Wainwright - Release The Stars
Just the song "Going To A Town" makes this one of the best CD's of the year. And there is so much more...
Arcade Fire - Neon Bible
Just my favorite of the modern bands (The Decemberists are a close second). They are unique, special and a killer band in concert.
Patty Griffin - Children Running Through
She's in her early 40's and is already an American treasure. This CD is all about her singing and Patty shows us just how good she is.
Lucinda Williams - West
I don't think she is capable of putting out a bad CD.

Favorite Indie CDs
Emily Maguire - Keep Walking
This Australian has it all: Great songs. Great Melodies. Great Production. This CD is worth searching for.
Future Clouds & Radar - Future Clouds & Radar
Look out Spoon, these guys are going to be storming the Indie world. They may already be the hottest band in Austin. The best debut from a Texas band since Los Lonely Boys CD of a few years back.
Grace Potter and the Nocturnals - This is Somewhere
Women can still rock. Move over Melissa, here comes Grace.
The Latebirds - Last of the Good Ol' Days
Sweden isn't the only Scandinavian country to bring us great songwriters. This Finnish band is worth watching. (This is from a pre-release, so expect to hear more about it next year).
Spoon - Ga Ga GA Ga Ga
Between Spoon and Future Clouds the Austin music scene may finally get the respect it deserves.
Josh Ritter - The Historical Conquests of Josh Ritter
This is a pop rock classic. One great song after another. If you don't enjoy this CD you probably shouldn't be reading anything I have to say.
Jimmy LaFave - Cimarron Manifesto
Another great songwriter waiting for the world to catch up with him.
Cowboy Junkies - At The End of Paths Taken
Their best CD since "Trinity Sessions".
Sarah Borges - Diamonds in the Dark
Tapping every vein that is Americana Music, there isn't a bit of filler on this CD.

New Music for December 2007

New music from: Lazy Preacher, Lisle Engle, Future Clouds & Radar, Jim Armstrong, Deana Carter, Grace Potter and the Nocturnals, Ben Harper, The Latebirds, Patti Smith, Gram Parsons and the Flying Burrito Bros., Robert Plant & Alison Krauss, The Cake Sale, Raul Malo, Heart, Iron and Wine, A Fine Frenzy, Patty Griffin and The Frames.

Well, we're at the end of the year... again! I can't believe that The Promise has been around for over 5 years now. As always a big thank you goes out to not only the artists that have been so kind as to share their music, but also to you, the listeners (and readers). If you're not listening, I have no reason to be doing this. So thank you for giving me an excuse to buy way too manyCDs. :-)

We are up to around 5000 songs in the complete play list and to prove it, we're going to play the entire library starting in the wee hours of New Years Day (some time after 1:00am Pacific Time) and running for about 2 weeks. I won't say no repeats, but nearly no repeats for 2 full weeks. Enjoy.

Now, on to the new stuff... Once again, I just couldn't get to all the new music for 2007. I've got another 10 or 12 CDs that I ran out of time for. I guess that is what January is for. But there is so much great music here, you'll hardly notice the time fly by. So, check out the new songs here and then listen to The Promise. HappyHolidays!

Lazy Preacher - Fall Asleep When Awaking (2007)
If there is a problem with this CD, it is... well... just too big. With 20 songs to listen to, it can be a bit tough to assimilate it all in one or two sittings. This is not to say it is too long or that there is any waste here. It's just a lot of work for me. Especially when the music is good enough to warrant many listens. Most of the music on "Fall Asleep" is driven by a strummed acoustic guitar that (if you are old enough) takes you back to the late 60's when psychedelic could just as easily be acoustic as electronic. There are bits of country and alternative (what ever that is today) and reggae all wrapped up with some fascinating lyrics and catchy melodies. Well worth the effort. Take it. http://www.lazypreacher.com/
Lisle Engle - California Miles (2007)
I've said this before, I'm a sucker for rock violin. Lisle Engle uses the violin a lot like Dave Matthews; augmenting his vocals and as an important soloing instrument. It gives this excellent sounding CD a late 60's early 70's feel and takes me back to bands like Curved Air and It's A Beautiful Day. There are some exciting pop melodies among the dozen or so songs and good production throughout. http://web.mac.com/lisleengle/LisleEngle.com/Home.html
Future Clouds & Radar - Future Clouds & Radar (2007)
It takes a lot of guts to put out a double CD as your first release. It takes even more guts to save nuggets like "Build Havana" for the second disc. Not only does Robert Harrison, leader of this band, have the guts, but he can back it up with this swirling psychedelic pop... dare I say, masterpiece.
Jim Armstrong - Mudtown (2007)
Straight from the heartland... You know... Toronto, Canada. With his slightly gravely voice and straight ahead attack, this is rock and roll that makes you think ofMellancamp or even Melissa. If you close your eyes you can see these guys playing live in a small club opening for someone, when they really should be the main attraction. Good songwriting. Good sense of rock and roll. Find out more at Sonic Deli Records (love that name). http://www.sonicdelirecords.com/
Deana Carter - The Chain (2007)
This is a daughter's tribute to her father (Fred Carter Jr.) and the music she was brought up with. Deanna, who has had fame in the country music charts, brings top notch session musicians together (including her father) for a bunch of classic songs. These aren't country classics, but pop/rock classics from the 60's and 70's. Deana Carter's silky country voice goes very nicely with music from The Band, Dylan, Paul Simon and Neil Young.
Grace Potter and the Nocturnals - This is Somewhere (2007)
I saw Grace and the Nocturnals heat up the tent at ACL this year. Not since Melissa showed us how a woman can rock as hard and powerfully as a man have we had a show stopper like Grace Potter. She's got the pipes, she has the writing talent, she has... the spirit of rock and roll. Enough said. http://www.gracepotter.com/
Ben Harper & the Innocent Criminals - Lifeline (2007)
Maybe as close to a soul classic as you are going to see this year or maybe for many years to come.
KGSR Broadcasts Vol 15 (2007)
Every year this is the best of all of the live radio compilations. Get your copy while supplies last: http://www.waterloorecords.com
The Latebirds - Last of the Good Ol' Days (2007 or 2008)
I thought it was just Sweden, but apparently all of Scandinavia has musicians that have a strong sense of melody. This soon to be released CD from the Finnish bandThe Latebirds is fantastic with great melodies and wonderful songs about the human condition. At times Markus appears to be channeling Al Stewart in his vocals which just adds to the pop feel of this CD. But, instead of telling stories about the past, Markus wants to talk about the here and now; whether it is political or social. One of my top picks of the year. http://www.latebirds.com/
Patti Smith - Four from Twelve (2007)
This is a sample CD from Patti's CD, "Twelve". It is yet another cover CD from a well respected artist. I love Patti's energy and it is all here; at least with these four songs. So, if you're a big Patti Smith fan, you'll enjoy this and probably the full CD.
Gram Parsons with The Flying Burrito Bros. - Archives Vol 1 (2007)
Gram Parsons is the man given credit as one of the major influences on the country rock genre. These are live recordings from 1969. The sound has been cleaned up nicely. The passion is as dirty raw as it was 38 years ago. A must buy for anyone who loves this genre. It is also one of the first Cd's from Amoeba Records, one of the last of the independent record stores. http://www.amoebarecords.com/
Robert Plant and Alison Krauss - Raising Sand (2007)
Who knew Bobbie could sound so sweet and soft. Join his perfect rock and roll voice with one of the best of the best, Alison Krauss, and you have one of the best sounding Cd's of the year. Check this out if you like either of them.
The Cake Sale - The Cake Sale (2007)
Saving the earth, one CD at a time, The Cake Sale is more than just a bunch of artists who gave a song to the album. The artists work with a core band featuring among others Crowded House's Nick Seymour. Vocals and songwriting were contributed by GlenHansard, Josh Ritter, Gary Lightbody, Nina Persson and Gemma Hayes, Lisa Hannigan and Damien Rice (to name but a few). The best thing for you to do is read about it here though: http://www.thecakesale.com/bio_press/index.htm
Raul Malo - Austin City Limits Music Festival (2007)
He could sing the phone book. What else needs to be said. You can get this on Itunes.
Heart - Dreamboat Annie Live (2007)
The latest thing these days is to perform a classic album live. This CD and a separate DVD bring this classic rock album back for a spin; and a fun spin it is. Ann can still sing. Nancy can still play guitar. What else do you need to know. Oh, well, maybe... It is worth it just for the Led Zeppelin covers.
Iron and Wine - The Shepherd's Dog (2007)
They float along a pretty path; a bit psychedelic and they remind you of the more pop moments of the Grateful Dead. You expect them to explode and they never really do. And yet, you don't mind floating along the ebb and flow of the acoustic and electric layers.
A Fine Frenzy - One Cell in the Sea (2007)
A Fine Frenzy is actually Alison Sudol; a singer/songwriter from Seattle. "One Cell..." is a collection of gorgeous mini epics. But don't let that scare you off. It is quite accessible. Her piano driven music sounds like that moment in the movies when everything becomes clear to the main actor. Passionate writing and beautiful vocals make this a excellent addition to any collection.
Patty Griffin - Live from the Artists Den DVD/CD (2007)
Barnes & Noble have a special version of this DVD that includes a CD of the concert (so you can travel with the music). It's Patty Griffin. It's live. It's wonderful.
The Frames - The Cost (2007)
Some movies stay inside you forever. And all it takes is a simple reminder, a moment, to bring it all back. Such is the case with the Movie "Once", which comes out on DVD this month. And what brings it back? Anything with GlenHansard in it. So, putting the latest Frame's CD, "The Cost" into the CD player sent chills down my spine as my mind revisited one of my favorite films of the year. It helps that a couple of songs on this CD are also part of the soundtrack. Where have I been? How could I miss this great band for so long. Like Damien Rice, The Frames have a fairly acoustic sound, that can explode at any moment. I have read that they are one amazing band to see live. I can't wait to experience that someday.

Bruce Springsteen Halloween Eve Show October 30, 2007

The lights went out and the crowd roared. Smoke filled the stage. Instead of circus music, eerie organ music played. Up onto the stage, 6 zombie like men carrying a coffin approached. They placed the coffin down and from inside an arm rose. It required something and Little Steven knew what it needed. He handed it a guitar. They raised the coffin and Bruce stepped out. That was October 31, 1980. And they recreated the scene last night! It was my first Springsteen show ever and this was my final Bruce Springsteen show of this tour. And what a night it was; including one BIG treat from Bruce. But, let's start at the beginning...

A friend, who I owe deeply now, got me a ticket through the band will call. I asked for a floor ticket not knowing that the band will call doesn't open until 6:30 the night of the show. When I found this out last night, I complained to one of the people who was working the booth who I knew worked for the promoter. He asked me my name and said, don't worry, you'll have one. Being a promoter, I didn't trust him, so I came early to the show. I'm still not sure why I came early, but at 3:30, there I was in the Sports Arena parking lot. I wandered around and couldn't find anyone I knew, so I went back to my car, turned on the radio and figured I would check email. No sooner do I turn on the radio then a car pulls up next to me. During Bruce's stadium tour (was that 4 or 5 years ago already?) I traveled to San Francisco with a group of strangers to see Bruce atPac Bell Park. They were friends of a friend. We sat in the pit that night (what a good omen). And there they were, parked next to me. So, I spent the next couple hours hanging with them, drinkingKetel One and eating some very good turkey wraps. Also in the group was Bill who flew in from Chicago for the show. Maybe Deb knows him. :-) They all had floor seats and should have been nervous about getting in the pit, but there was a serene confidence about them. They knew they were going to get in. As they waited for the numbers to be called, Joy, made a final karma move, selling her extra floor seat to a guy for $20. Moments later they found out they were in the pit (barely).

So, while they lined up, I went over to the will call area to wait. There I met Markus, the lead singer and songwriter of The Latebirds, a Finnish band. I plan to check them out when time allows. We had a great conversation about all sorts of things. And it turned out he was even a huge Sam Phillips fan. I didn't have time to tell him about how I proposed to her though. At 6:35, the window finally opened, I got my ticket, looked inside and... I WAS IN THE PIT!!!!! Putting on my wristband I headed inside (okay, the truth is that there was a long line to get in if you had floor seats so it was a good ten minutes before I actually headed in) and met up with Joy and all her friends. We were having a great time, but I was thirsty. Because we were all late getting into the pit, there were no real spots that needed to be saved so I could easily come and go as I needed. Wandering around the outside area, I walked past a section that probably needed to be guarded, but there was no one there. So there I was. And there was Nils? And Max? And Roy? And And... Little Steven!!! I ran back to the pit, grabbed Joy and Bill and said, "Little Steve is right over there (pointing) RIGHT NOW". We ran back to the spot and... He got a big hug from Joy, and a handshake from me. Bill got his picture taken with Roy and well, could the night get any better? YES.

So, Bruce comes out of the coffin and just like every other night on the tour yells the perfect Halloween yell, "Is anybody alive out there!" And on went the show. This was my first real pit show and man was it good. Bruce was having fun the band was alive! Nothing compares when you're that close (I may have been standing on the equivalent of 8th or 10th row). He did Tunnel of Love and Nils just ripped the solo. Everyone was talking about it afterwards. Reason to Believe just exploded. Patti's "Town CalledHeartbreak " was so intimate, with Bruce and Patti so close exchanging vocals. It was a great show, but we wanted a gift. And during the encore we got one. Bruce said, "Here's apre -Halloween treat for Los Angeles". It only took two notes for the place to go crazy. I was told by a good authority he has never played "Kitty's Back" in Los Angeles. If he has, it's been a long long time. And man! They played it like it was a regular on the set list. Bruce's solo kicked ass and the band was so tight. I still haven't come down. So, how do you top that? The only way you can, segue it into Born To Run. I may never recover. Soon the show was over. We all stood there, dazed. What an amazing night. What a great show. I sure hope someone taped it.

Setlist (from www.backstreets.com):
Radio Nowhere
The Ties That Bind
Lonesome Day
Gypsy Biker
Magic
Reason to Believe
Night
She's the One
Livin' in the Future
The Promised Land
Town Called Heartbreak
Tunnel of Love
Working on the Highway
Devil's Arcade
The Rising
Last to Die
Long Walk Home
Badlands
* * *
Girls in Their Summer Clothes
Kitty's Back
Born to Run
Dancing in the Dark
American Land

Bruce Springsteen Los Angeles Sports Arena October 29th 2007

This is round 2 of a 3 rounder for me. We had seats in the upper level, but row 8, and in the corner. It turns out that it is actually closer then the back of the lower level in Oakland. I love the Sports Arena!

As we started to go in, I heard someone yell, "Bruuuuce". Well, I've gotten used to ignoring my name at Springsteen shows, but I turned anyway. It was Randy and Sue. I always know that at the L.A. Bruce shows I'm going to run into old friends. It is one of the many reasons I love these shows.

Things did not start out good for The Boss on this evening. The show opens with circus music playing as the band walks out. The music kept stopping and starting (not supposed to happen) with a loud scratch like they were having a connection problem every time it started back up. And later in the evening (was it at the beginning of Backstreets, I can't remember) it got worse as the low end, probably from the bass guitar got way out of hand and sent vibrations through the cement walls of the arena.

Otherwise, it was a great show. The audience started out really loud and excited for an L.A. crowd. But, watching from the upper level, they seemed to relax as the show went on. By the end though, with the Born to Run into Dancing in the Dark combo, they were up and singing/screaming.

This was a first night show, which generally has been considered not as good as the second night shows. Probably because I've spent too much time listening to the tour boots, but it seemed just too familiar. There were no tour premiers this night either. But it was an excellent show with great moments.

The heat! Did I mention the heat? We were sweating before the show even started. Bruce brought it up a couple of times and even brought water out to the crowd. At least one girl fainted from the heat (I guessing it was the heat). Bruce was very nice and even asked about her during the show.

There are lots of things I love about this tour. He has taken the folky "Reason to Believe", and turned it into a blazing blues number that brings down the house every night. Think, Chis Isaak's "Baby Did a Bad Thing", starting with just harmonica and drums and then exploding with the band joining in. Gypsy Bikers culminates with Bruce and Little Steven trading blistering guitar solos. During "Magic", there are two vertical screens and the video camera picks up Bruce on one and Patti on the other. Very cool effect. Many of the new songs really come to life in concert. I especially love how powerful "Devils Arcade" comes off.

I'm crossing my fingers that I'm in the pit tonight. If not I'm going to be very pissed at a couple of SFX people who made promises last night. Meanwhile, here is the set list, brought to you by www.backstreets.com .


Setlist:
Radio Nowhere
No Surrender
Lonesome Day
Gypsy Biker
Magic
Reason to Believe
Candy's Room
She's the One
Livin' in the Future
The Promised Land
Town Called Heartbreak
Backstreets
Working on the Highway
Devil's Arcade
The Rising
Last to Die
Long Walk Home
Badlands
* * *
Girls in Their Summer Clothes
Thundercrack
Born to Run
Dancing in the Dark
American Land

Bruce Springsteen and the E Street Band in Oakland October 26, 2007

This has really been a long strange week. The first half of the week was actually pretty normal, other than the working too hard thing. But then I got the call from my friend Kim. An old friend of ours JimCreasy had died. Now Jim was supposed to die back around the end of the 70's. He had been diagnosed with diabetes and according to him, didn't have much time left. Shortly after that , he moved to Kentucky to be with family. In 1999, he came out to visit. This would be his last visit. He wasn't expected to live much longer. But live he did. He came very close to making it to my wedding, but at the last minute his doctor discouraged him from going. When we went to Nashville last month, we were hoping to meet up with him. Again, it fell through. Jim Loved The Who. To him, Pete Townsend was the closest thing to God on earth. His love of music was as great as any one I know. Back in the 90's his album collection was around 10,000. His 45 collection was twice that. Every year he made a couple dozenCDs (in the old days it was tapes) of rare weird fun Christmas music. I was lucky enough to be on the short list that received these wonderfulCDs . Last weekend Jim wrote me and asked me to send him some of the Bruce boots from the tour this year. He wasn't a big fan, probably because you can only have one God, but he had learned to respect him. My friend Deborah, one of the biggest Bruce fans I know, was one of Jim's closest friends. This has been really tough on her. We've been talking throughout the weekend; part Jim, part Bruce. She convinced Chris Carter to dedicate a song to him on his show today. She also gave him a boot of the only E Street Beatles cover. Meanwhile, I'm the hub for all the information about Jim. So, while I'm emotionally excited about the Springsteen shows, I'm also in the middle of... all of this.

We caught the 5PM plane to Oakland, arrived at around 6:30 (it was so nice to be breathing the clean air up there), took a cab to the hotel (he went the wrong way, of course... It was his first day on the job), convinced him to wait while we checked in and then jumped back in the cab and headed over to the Oracle Center (or whatever the name is these days). Arriving at around 7:30, we had a good 45 minutes to relax (Bruce never starts his shows on time) which allowed us to chat with Bruce fans. You can bad mouth the fans of today all you want (I'll never disagree), but Springsteen fans are a different breed. We had nice conversations with 3 different groups of people around us. One gentleman left early, but handed me his card and said, "keep this", several times.

We were at the back of the lower level (the last row actually); Not bad seats. But as soon as I saw that we were under an awning, I got nervous. The sound often bounces off of awnings and makes it real hard to enjoy the music let alone understand what is being said. The lights went out and the crowd roared. This was a good west coast crowd. Although they really had no idea what to do duringThundercrack (hell, I barely knew what to do), they still came through time and again when required. Yes, if you haven't peaked at any of the set lists for the tour, Bruce has brought out a real real real oldie. One that has only been released on his Tracks box set. And the sound? It was great. Maybe the cleanest sound I've had at a Bruce show, when not up close. It might have been a bit loud, but that could have just been that I don't go to arena shows anymore.

This tour is a more compact show, clocking in usually at around two and a quarter hours; which is exactly where we ended up on Friday night. Still, he fits in 23 plus songs each night. This is accomplished by cutting out all the talking. Bruce's raps are minimal, giving interesting but quick intros to "Magic" and"Livin ' in the Future" and the shortest band intros of the E Street's entire concert life. What this means though, is that the pacing has to be different. No time for a slow middle, which he normally has. And although the pace does drop at times, the band quickly picks it up on the next song. The back to back combo of Tunnel of Love into Racing in the Streets, was excellent, but may have slowed down the show a bit too much. Had this been a 3 hour show, it would have worked much better. He did come out of that duo with a bang, rocking his way through "Working on the Highway", a great replacement for the usual Cadillac Ranch or Ramrod.

Dancing in the Dark is back as a regular on the set list. Audience participation is so important for E Street shows and throwing this one next to Born To Run really creates a tremendous amount energy within the crowd. It's like a fight, with BTR providing the deadly punch and DITD finishing us off with the knockout punch. The show always closes with American Land, Bruce's Seegerish fiddlin' rave. It is a great closer; one that keeps everyone on their feet, clapping and singing.

After the show I pulled out the card that was handed to me and read the note the guy had written on it. He had lost his wife to breast cancer this year. The Bruce shows were obviously something they shared, so this show must have, for him, been bitter sweet. We all want to share the Bruce experience with others. This was his way of reaching out.

I was so tired after the show, I literally hit the bed and was fast asleep. In the morning we headed into The City to catch up with Maria's family. In between meals, Maria did some work while I hit Rasputin Records. Rasputin in San Francisco and San Jose has a reputation for having a much better progressive rock selection then Amoeba, and I walked away with a nice selection ofCDs including some that I never had on vinyl including music from Yes, Pink Floyd, Steve Hackett and Steve Howe. I also picked up some used CDs that were on my recent to-buy list: A Fine Frenzy, Iron and Wine and The Cake Sale (really cool gathering of musicians to support world wide fare trade including: LisaHannigan, Glen Hansard, Damien Rice and Josh Ritter). And fitting the weekend and the last month, I found a live CD from Shooter Jennings who we saw at the Grand Ole Opry. The band is introduced on the CD by Little Steven. Hows that for timing.

Okay, I'm ready for the next two shows this week!

Setlist:
Radio Nowhere
No Surrender
Lonesome Day
Gypsy Biker
Magic
Reason to Believe
Two Hearts
She's the One
Livin' in the Future
The Promised Land
Tunnel of Love
Racing in the Street
Working on the Highway
Devil's Arcade
The Rising
Last to Die
Long Walk Home
Badlands
* * *
Girls in Their Summer Clothes
Thundercrack
Born to Run
Dancing in the Dark
American Land

New Music for October

Wow. So much music, so little attention span. :-) Okay, seriously, there is a lot to cover here. I spent most of September in the South and Southwest and am so glad to be home. But there is so much catching up to do now. These CDs that have been added to the play list are in no particular order. There are some indie bands and some new bands. A couple are on their sophomore release and several are long time favorites that you all know about. Please take a few minutes and flip through the whole list. I'm sure there is something here you'll like.

Richard Thompson - Sweet Warrior (2007)
This new CD from long time guitar hero and all round great artist is a rocker. Most of the songs are classic Thompson, with wonderful insights, cool melodies and sweet guitar licks.
Marshall Dabney - Crown Jewel (2006)
The great thing about today's music industry is that an artist who is willing to go it alone can create music the way he sees fit. And that brings us to Marshall Dabney, a superb guitarist who has built a wonderful CD that is part prog rock, maybe a touch jazz, part guitar fun and all very 70's; but in a good way. I really enjoyed the fun instrumentals; a reminder that you don't have to add cheesy lyrics to a song when a good guitar is all you may need.
Sun Volt - The Search (2007)
Is that horns I hear? Hmmm. Here is a fun description: Son Volt is a cross between REM and Bob Mould. That is the way the new CD strikes me. Its the same great voice with melodies to fit.
Josh Ritter - The Historical Conquests of Josh Ritter (2007)
From the opening chords of "to the dogs or whatever" I was hooked. I liked his last CD, but I LOVE this one. The recording feels sort of low tech, and maybe that adds to the fun. Yep, this is fun CD. Now that's not to say that the songs are lightweight, they just all feel so good. The best will have you not only tapping your feet, but will have you singing along almost instantly. Go buy this... Now.
White Stripes - Icky Thump (2007)
Back to a more straight forward sound, Jack and Meg have created another potent CD. I'm reminded of the power duos from the early 70's (what am I saying? Power duos?) except without the excess. And Jack Black is still one of the most creative guitarists alive.
Steve Earle - Washington Square Serenade (2007)
It's a more modern sound with some drum tracks and maybe even some scratching, but there is no doubt it is still Steve Earle. This is a strong CD with only a minimum of outright political attacks but a maximum of strong social discovery as he talks about his move to New York City and the love of his life, Allison Moorer. She sings backup on this CD and their voices sound wonderful together. I highly recommend this CD for both old and new fans.
Eliza Gilkyson - Your Town Tonight (2007)
I just discovered Eliza earlier this year and have only seen her as an opening act. So this live CD is such a pleasure to listen to. But nothing prepared me for her rendition of her father's "Green Fields". Wow! If you are a fan of Eliza's or have wondered about her, this is a great way to get introduced.
Jesse Malin - Glitter in the Gutter (2007)
The lineage of New Jersey rockers continues and with this CD Jesse is just about ready to join the big boys. A duet with The Boss helps, but Jesse can stand on his own, thank you. Great rockin' CD.
Bill Harvey - bear sick (2007)
As Bob Schneider's guitar player, Billy played a mean guitar. But on his own, his sound is more soft, acoustic and quirky. And with each CD the songwriting continues to get better and better. At times his songwriting reminds me of Steve Poltz, without the outrageous humor.
The Section Quartet - Fuzzbox (2007)
No one rocks harder with strings and bows than The Section Quartet. Their first major label release continues where their indie CD left off: creating great quartet arrangements to rock songs. Obviously the arrangements are what makes their sound so good. But it is the song selection that makes their CDs worth buying. Rarely going with the obvious choice, they cover Bowie, but it is "The Man Who Sold The World"; not one that most people can remember the tune to. But you say to yourself, "I know that song". It really is fun listening to their CDs (or live for that mater) the first time. It is not all rarities though. Following Bowie is the 90's classic "Black Hole Sun" and then Led Zep's Heartbreaker. Too old school for you? How about "No One Knows" from Queens of the Stone Age? Eric, Daphne, Leah and Richard understand music. They can see the beauty and complexity in what most of us see as just rock and roll. And most important... My daughter, the budding artist, says it is great to paint to. So there you have it.
Luke Powers - Picture Book (2007)
When I was young I believed that the words were the song. As I got older I fell in love with great playing. But the words kept creeping in. Some of those progressive bands in the 70's sounded so good, but the lyrics? So, if you listen to words, you end up listening to singer/songwriters. And ultimately, you're going to find yourself on the fringes of country music because good country and folk music loves a good story (something beyond losing the wife, the dog and the house as the train goes by). And Luke Powers writes a good story. You're going to laugh. You're going to cry. Well, okay, maybe not cry. But whoever "Mr. Yeah Yeah Yeah" is must be a pretty pitiful person. And did Luke really see JFK driving a pickup truck? Have I peaked your interest? I hope so, because I loved listening to these folk/country/whatever stories. http://www.phoebeclaire.com/BIO/lukepowersbio.htm
Julia Albert - ...More Real Than This (2007)
This little 5 song EP grabbed my interest because... well... I know, you've heard this a bunch of times, but... there is some Kate Bush in her. And I'm a sucker for anyone who reminds me of her. This is much more pop than Kate though. Still this EP makes me want to hear more. http://www.myspace.com/juliaalbertmusic
Patti Scialfa - Play it as it Lays (2007)
I was on an exercise bike in Memphis a few weeks ago and put on this CD. Searching for inspiration, Patti sings, "I'm Looking for Elvis down a Memphis road". And I was hooked. I loved both of Patti's previous CDs, but they pale in comparison to this beautiful CD from a very mature woman dealing with life and her art. I went several workout sessions in a row with this CD on because I just couldn't get enough of it. I hear she sings one of her songs during Bruce's tour. I, for one, will be looking forward to that part of the show.
Graham Parker & the Figgs - 103 in June - Live in Chicago (2006)
You can feel the sweat dripping off the guitars on this CD. On a very warm night in Chicago a few years back, Graham and the Figgs rocked hard for a club full of frenzied fans. I saw them around this time and remember being totally exhausted at the end (and I was sitting). This is what rock and roll is all about. So, support your local independent record dealer, 'cause that is the only place this is available.
Once - Music from the Motion Picture (2007)
I had never followed the Frames and so therefore had no idea what I was in for when I sat down to watch this movie a couple months ago. What a brilliant movie and CD. When it is available for sale, buy it. And then pick up this CD or Glenn Hansard and Marketa Irglova's "The Swell Season". And I'm guessing you may want to pick up all of the Frames' CDs. That was the way I came out of the movie. It is passionate acoustic music that will just knock you over.
Bruce Robison - It Came From San Antonio (2007)
The title track to this short CD is an homage to The Sir Douglas Quintet, who were actually from San Antonio not Liverpool as many people believed back in the 60's. It is a great little rocker that totally captures the style and sound of the day. The rest of the CD is just really good songwriting from a man who is best known as the husband of Kelly Willis. But he has written songs for people like George Straight and, of course, Kelly. It is a short CD and can be picked up real cheap on his web site. Pick it up while you can. You won't be disappointed. http://www.brucerobison.com/
Lori Mckenna - Unglamorous (2007)
If radio were playing "music" these days, Unglamorous would be a guaranteed crossover hit for Lori. Her folk/country style is never overshadowed by over production which would allow mellower rock stations to play her music. Country stations would pick up on the great stories and overall fun spirit that is all over this CD. Lori is a really good songwriter and deserves to be listened to. I will be playing a lot of this CD on the stream.
Joni Mitchell - Shine (2007)
Joni is no longer the pop artist. She hasn't been for decades. During her big "comeback" in the 90's, she stripped her music back down to an acoustic level, but it still wasn't "pop". What it was though was strikingly social-political. Songs like "Sex Kills" still ring true 10 years later. "Shine" brings back the jazzy band sound and keeps the strong attack on the problems in this world. If you truly loved Joni for her lyrics, you will love this CD. But if you are looking for pretty melodies about lost love, you might want to pick up one of her older albums. This would be a better world if more grandmothers were as outspoken as Joni.
Rilo Kiley - Under the Blacklight (2007)
Jenny Lewis and friends take a shot at the more straightforward and direct sound. It's easier to swallow. But don't worry. They are too quirky to be totally commercial. It will be interesting to see where they go from here.
Ann Wilson - Hope & Glory (2007)
For her first solo CD, Ann has decided to pick songs that she loves and that she feels are important in this day and age to sing for us. She has also gather some of her friends (you know most of them) to sing and play with her. The result is a strong cover CD from one of the finest voices in rock.
Bruce Springsteen - Magic (2007)
The Boss is rocking this time out. Obviously, The Promise is a big fan, so any review would be just a bit partisan. What I will say is that the CD grows on me with each listen. And as I listen to the bootlegs of his current tour, the magic of this CD really starts to show through.
Jose Gonzalez - In Our Nature (2007)
His unique, flamenco inspired guitar playing drives his sound. With his soft voice on top of the guitar, you are pulled into his world. He is like no one I have ever heard, and yet his sound is so familiar. I once compared him to Nick Drake. That may be closest you are going to get.
John Fogerty - Revival (2007)
A perfect title for a near perfect return to form. John has resurrected the sound and feel of Creedence Clearwater Revival. The melodies, the syncopation, the voice... It is all here. But the CD doesn't dwell on the past. John just uses it as a launching pad for some of the best music he has written since the CCR days.
Peter Bradley Adams - Gather Up (2006)
Like floating down a calm river, Peter Bradley Adams' new CD is a continuation of his eastmountainsouth CD, providing a soft, beautiful landscape of music to rest our weary bones on. At times he reminds me of the soft side of Jackson Brown. This is a less traditional CD then the last, but it is just so darn beautiful, it really doesn't matter what's going on here.
Emiko - Here Lies Tinkerbell (2003)
Sexy, brash, straight talking, funky... All this and a beat you can dance to. Her attitude reminds me of early Alanis, but she is much more upfront with her sexuality. Enjoy this CD now, before the pop mainstream destroys her. http://www.emikomusic.com

ACL Festival 2007

I'm headed to Austin this week for the annual ACL Festival. Watch for updates on my ACL blog at http://aclfestival.blogspot.com .

Because of ACL and my wedding and a trip to Tennessee later this month, there may not be a full update to my music stream until October. But there is plenty of good music coming. So stay tuned.

New Music in July

Yes, I know it is well into August, but, well, weddings some how seem to get in the way. All of this music has been playing on The Promise since late July and it has taken me all of this time just to get back to this blog. But here we go, short but sweet. As always, a big thank you to all of the artists who send me their wonderfulCDs for airplay. My short descriptions can't do you justice.

Crowded House - Time On Earth (2007)
Right now this is in the running for my favorite CD of the year. It has been about 10 years since last we saw a Crowded House CD. Neil Finn hasn't been sitting around collecting royalties though. He has continued to grow and develop as a songwriter. His solo CDs along with his CDs with his brother Tim have been excellent. So that this Crowded House CD is great is no surprise. What does it sound like? Well, it sounds like... Crowded House. Classic Crowded House at that.
Loudon Wainwright III - Strange Weirdos (Music From and Inspired by the File Knocked Up) (2007)
It's Loudon. Although I have been a fan since "Dead Skunk", I hadn't really checked out the albums until the last couple of years. He is truly an American treasure. A wonderful CD to check out.
Blood Red Sun - A Nation of Saviors (2007)
An Excellent rock outfit, this is definitely not for someone looking for a mellow evening out. But if you're looking for plenty of hooks and some good hard rockin', you've come to the right place. http://www.blood-red-sun.com
Ellsworth - American Compost (2006)
I've been having trouble pinpointing what Ellsworth is. There is no doubt we are listening to Americana, but with a bit of a twist. I think what I like about the music, is the the early 60's feel it seems to exude as go through the tracks. A great combination and one that makes this indie CD worth checking out. You can check out his Myspace site at: http://www.myspace.com/ellsworthsongs .
High Cotton - High Cotton (2004)
This is another Americana artist but with a fun sound and a powerful female singer. I enjoyed this 5 song EP. Think early Michele Shocked. They have newer music available at: http://www.highcottonati.com , or check out their Myspace site: http://www.myspace.com/highcottonati .
Ryan Adams - Easy Tiger (2007)
Everyone has been talking about this CD, some calling it his best work since Whiskeytown. I don't see it. The short answer here is that I really enjoyed this CD; probably more than the last few. But not so much more that I'm jumping up and down with excitement. Ryan is a gifted writer and he always shows signs of it in almost every CD he puts out. This one is no exception.
Raul Malo - After Hours (2007)
So... if you're a big fan of 50's classics song with a country attitude and one of the great voices in rock, then this CD is for you. And that pretty much describes it. Raul can sing the phone book and his band on this CD can pretty much play it all, but this music is really limited in scope. You'll either love it or pass it over and wait for the next one.
Spoon - Ga Ga GA Ga Ga (2007)
Spoon is slowly working its way into the American consciousness. I don't think this CD is as obviously pop as their last couple, but in their unique way Spoon is creating a new pop; something we can all be proud of.
Kim Richey - Chinese Boxes (2007)
There is an upbeat sound to almost everything Kim sings. You just can't help but feel good while listening to her CDs. This may not have the solid singles that her last couple of CDs had, but it is a solid CD; one I'll be enjoying for awhile.
Minnie Driver - Seastories (2007)
When last we talked about Minnie Driver (yes, that Minnie Driver), I was telling you to buy the CD just for the great Springsteen cover. Well, this new CD shows us that indeed Minnie Driver has arrived. Put her next to the other solid singer/songwriters out there and she will fit right in. I love her voice. I love her song selections. It's a beautiful collection and worth every penny.
Nick Drake - Family Tree (2007)
It is hard to recommend this CD and it is hard not to. If you have eaten up all of the legal Nick Drake material and haven't gotten enough, you will eat this one up too. These are so-so recordings made not as part of a record, but as inspirations that maybe someday would be shaped into something great. It is raw and interesting and there are a few standout cuts. And it is Nick Drake; one of the great unknowns who died way too soon.
2 Nice Girls - Two Nice Girls (2007 - Reissue)
This is a CD I had to have for one song: Sweet Jane (with Affection). I already owned "I spent my last $10 on birth control and beer"; the second best song on the CD (and one of the funniest lesbian songs I've ever heard). After these two songs, you have a very nice folk-like CD (some call it lesbian folk). ButSJWA is a great. They have combined Lou Reed's "Sweet Jane" with Joan Armatrading's "Love and Affection". It is an absolute classic.
Duncan Sheik - White Limousine (2006)
When Duncan Sheik walked away with a Tony this year, some people in the music industry may have been surprised. But listen to this CD from 2006 and you will hear how Duncan has grown over the years, creating a full sound that is worthy of the stage. A beautiful CD to listen to.
Todd Helvig - Distill (2007)
I've saved Todd for last because... well this type of artist can be really hard to describe. He has a classic rock voice. But his songs are far from that. They are passionate acoustic pieces that don't draw us in with hooks, but with the... passion (there's that word again). It almost feels like these are classic rock and roll songs turned acoustic. Bring on the band and you blow out the doors. But I like it better this way. Todd bares his soul for us, and you don't get that with leather and two drum kits. I'm willing to bet that he is one to see in concert. If you're in the Colorado area, you can check him out live, otherwise, you can pick up his CDs at http://www.toddhelvig.com .

Coming attractions:
Lots more music on the way, including new music from: Once - The Soundtrack, Graham Parker Live in Chicago, Emiko, Lori Mckenna, Bruce Robinson (just go out and buy this one now... great, althought short, CD), Julia Albert, Luke Powers, and Marshall Dabney.

Alejandro Escovedo Live at The Mint in L.A.

It was a perfect evening for some great rock and roll and Alejandro Escovedo did not disappoint. We arrived at The Mint in the middle of the opening act's set. The Estate played an interesting set of... well I'm not quite sure how to describe it. The lead singer had a voice that kept reminding me of Janis Joplin. It is a bit high for a man and just gravelly enough to make you clear your throat every so often. There was a lot of passion in it and the songs sounded real good. I'm going to have to pick up the CD and give him/them more of a listen.

Alejandro came out with a standard rock and roll lineup: guitar, bass, drums, violin and cello. It really is a great grouping and all of the musicians happen to be pretty good on top of that. The Wild Colonials, during their Christmas shows, used to at times have a lineup that was a bit like this. And with both bands, when they are all up there, you get a really full sound. And so, at the end of the show for example, when the band just kicks some ass during Castanets , it sounds GREAT. And I love a band that is having a good time on stage. You can see it in their eyes; especially while trading off solos with each other.

Alejandro introduced two new songs: Sister Lost Soul and Sensitive Boys. Both are going to be recorded in L.A. next month (hopefully!). The new album is supposed to be a sort of travelogue of the places and times where Alejandro Escovedo has lived. Sister Lost Soul is about the rockers whom he admired that are no longer with us. Sensitive Boys was dedicated to his brother. Both songs sounded great.

There were no real surprises in the set, with the band playing lots of favorites throughout the hour and a quarter. What may have been the highlight for some (it was for me) was saved for last with a beautiful version of Ian Hunter's "I Wish I Was Your Mother". There was a beautiful a cappella section near the end that just made the evening. With that he left the stage with promises to try and come back next month. Watch The Mint's web site for more info. Also, you can check out Sin City, the promoter of the show. And, of course, Alejandro Escovedo can be found here: http://www.alejandroescovedo.com/ .

Oh... Sorry for the crappy picture. It's a new camera and I really didn't have time to play with it before the show. And then suddenly we were surrounded by amazingly tall people.

Joan Armatrading at 4th & B in San Diego

This was my first time visiting 4th & B, which is run by the House of Blues. So, lets just get this out of the way first. Any band, Velvet Revolver or louder, will do just fine here. But anyone softer, even with electric guitars, is going up against a concrete box with not an acoustic tile in site. Joan's sound crew did a fantastic job of mixing the sound, but it sure isn't the place you want to see someone special like Joan Armatrading.

You can't really talk about this show without talking about the new CD, "Into the Blues". The CD, which is Joan's take on the blues, is her best in 20 years. And this new music blends so nicely with her 70's folk/jazz era. With a solid backing band (drums, bass and keyboards), the 70's songs really rocked and the new tunes sounded even better than on the CD. Joan's guitar playing at times reminded me B.B. King as she whipped off clean well conceived solo after solo. This concert was a reminder of just how much I enjoy watching Joan play guitar.

Joan saved most of the 80's hits for the end, and that worked well since they are so full of energy but don't really segue well with the new songs. As always the audience explodes when Joan walks on stage and always gives several standing ovations (yes, there were seats!) during the evening.

I ended up having a slightly funny situation with Joan. I am friends with her assistant, Jenn. Maria and I were walking around well before the show and and saw Joan, but didn't say anything; just smiled at her. Later, right after the sound check, we were at the backstage door and Joan came out. As she walked by I said, "Hi Joan". It is well known that Joan likes her privacy and I wasn't going to try and start up a conversation so I just said, "Is Jenn around"? That stopped Joan in her tracks. "Jennifer?" she asked. I said yes and she said, "Do you know her?". I think she was really surprised to have someone asking for one of her crew members. Anyway, I said yes and a minute later Jenn came out of the bus and we caught up on each other's lives. But I'll always remember the surprise on Joan's face. It was pretty funny.

Always remember, be polite to the techs on stage. Which is why I am able to give you the song list for the show. :-)

Heaven
The Devil I Know
A Woman In Love
Show Some Emotion
Somethin's Gonna Blow
Play the Blues
Into the Blues
Tall in the Saddle
All The Way From America
My Baby's Gone
Empty Highway
Cool Blue
You Rope You Tie Me
Call Me Names
Me Myself I
Willow
Drop the Pilot

New Music for June

Bruce Springsteen with the Sessions Band - Live In Dublin (2007)
The story goes (and it may not be true, but it has always sounded good): String convinced Bruce that in order to stretch as an artist, he needed to dump his band (the great E Street Band). And he may have been right, but I don't think his timing was. The problem was the Bruce didn't really have a direction or purpose and so when he put together the replacement band, it was merely a copy of the E Street Band. Most fans weren't happy and ultimately Bruce brought back the E Street Band. But with the Seeger Sessions there was now a purpose; a direction. And the fun of that CD, the concerts last summer and this new live CD/DVD is watching Springsteen stretch. Even if the Seeger Sessions CD didn't do it for you, the live stuff is just too good to ignore. Bouncing around between Dixie Land, Gospel, Two Step and whatever else they can conjure up, this is pure energy. It is a foot stomping good time. It is as powerful as it is poignant. My favorite section of this CD is on disc two where he goes directly from "Open All Night" with its huge band (because the term big band just isn't enough) swing into the sing-a-long "Pay Me My Money Down" with horns blazing and the crowd singing. The song fades out with the crowd continuing to sing the chorus. When the music starts again, we've got a country/rockin'/two steppin' "Growin' Up", that you just have to hear to believe. There are other reworked classics that will blow your mind if you haven't heard them already, including: "Atlantic city", "Further On (Up the Road)", "Highway Patrolman" and "Blinded By The Light". I haven't watched the DVD yet. I'll get around to it. But this CD is going to be hanging around on my CD player for some time to come. http://www.brucespringsteen.net/
Shane Nicholson - Faith & Science (2007)
Someone else said it and I usually wouldn't use someone else's worlds, but I was thinking the same thing as I listened for the first time: "This is the best music Crowded House never recorded". The beauty, the passion, the vocals, they are all here. The melodies are as sweet as a summer afternoon at the beach. Which is to say, they aren't sugary, but they sure look good. The first listen made me think, this is good, but it doesn't have the big songs like the last CD. But by the second time around I was already picking out favorites. This is an excellent CD. For more info go to http://www.shanenicholson.com .
Joan Armatrading - Into The Blues (2007)
I remember reading an interview with Joan many years ago and she stated (maybe more for effect than based on her reality) that she didn't see the difference between herself and say Led Zeppelin. It takes a a true artist to make an outrageous statement like that. Joan writes her own type of pop music, just like LedZep did. What is the difference? Just as Led Zepp merged blues and psychedelic music into an institution, Joan has been fiddling with styles for years. In the 70's it was her unique blend of folk and jazz. In the 80's it was punk and ska and folk and jazz. With "Into The Blues", Joan takes on the Blues and like the rest of her work, it doesn't sound like anything else you've ever heard. It is Joan's take on the Blues and... well, it is really good. Find out more at http://www.429records.com .
Keren Ann - Keren Ann (2007)
I called her voice whispery when I first saw her in 2005 at the Hotel Cafe. But two years later, the voice is stronger and more confident. The songs still float, like a boat on the Mediterranean on a summer's day. Another enjoyable CD from the Israeli born, French raised singer/songwriter. http://www.kerenann.com
The Lava Province - Strangeway (2006)
Full of hooks and strong guitar chords, this CD will take you back to the 80's when bands like REM where stretching the limits of New Wave. Laurens Vernot , who is the band, has a strong understanding of how to write a pop song, and rarely deviates. You might find yourself delightfully surprised by this unassuming CD. http://www.lavaprovince.com/
Joan Osborne - Breakfast in Bed (2007)
What a wonderful title. I can see myself the morning after a long night... uhmmm... in bed... listening to this CD as we eat the croissants and fruit that room service brought in. Okay, focus... So, it was only a matter of time before Joan, with her big powerful voice, not only took on some classic soul and R&B tunes but created a few for herself. Although the originals don't compare to the classics, they fit very nicely and, more importantly, Joan continues to improve as a songwriter. I still think Joan can go even farther with her voice, but this is a very nice distraction while we wait. http://www.joanosborne.com/site.php