Paul Thorn and Missiles of October at The Coach House 2010

I’m not sure what else I can say about Paul Thorn. This is the fourth time I’ve seen him in about 5 years and as I looked back on the previous reviews, things started to sound a bit redundant. Maybe that’s a good thing. Paul puts on a great show, whether he is solo or with his band. He always has funny stories to tell (not quiet as many this time around), usually gets around to most of his fans favorites (with a heavy dose of songs from “Ain’t Love Strange”, his breakthrough CD that never broke through for some unknown reason), and always brings us the best of his new material. And honestly, I can’t figure out what else I could ask for. Sure he skipped over some favorites, like “Fabio and Librace” and “Sister Ruby’s House of Prayer”, but overall he rocked the house, with his tight rockin’ band punching most songs up a couple of notches. It was a great show. I’m already looking forward to his next visit. With a house about two thirds filled, he should be coming back her in the OC some time in the future. Can’t wait.

The last time I saw Paul with his band at the Coach House, Missiles of October opened for him and did a solid job. Once again, they came out and played like a headliner, not just an opening band, and had the whole place bouncing around to their catchy tunes and smart covers. I picked up Poul’s new solo CD “Coveralls”, which I’m sure I’ll be talking about soon. I understand they play in Laguna Beach every Sunday night. If you are in So Cal, I’m sure it is worth a visit.

Peter Bradley Adams at the Hotel Cafe

Close your eyes. It is nighttime somewhere in middle America. There is a soft drizzle of rain. In the distance you can hear the sound of a train whistle which sounds suspiciously like a pedal steel guitar. Through the mist you start to hear a voice. There is no twang, no harshness. It is soft and reassuring. It is sad and yet hopeful. That is the sound of Peter Bradley Adams. And that is what we got for nearly an hour last night at the Hotel Cafe. Peter, backed by a solid three piece band (Josh Grange on guitar and pedal steel guitar, JImmy Paxson on drums and Ian Walker on bass) and backing vocalist (the beautiful and very talented Priya Darshini), created the atmosphere that makes his CDs such a joy to listen to. Actually, solid doesn’t really do these guys justice. They all are accomplished musicians with great credentials.

Peter sang songs from his latest CDs as well as a couple of brand new songs (he intro-ed one song by saying this is the name, “so far”). The highlight of the evening was a song that opened with a Raaga, a style of music from India, sung by Priya, and then segued it into “Angeles”. It was a gorgeous arrangement.

Peter has a very relaxed, humble and happy style onstage. It helped create a very appreciative crowd. In fact, he got a real encore. There was no plan to return to the stage, but, and this is so unusual for L.A., the crowd would not stop clapping. And so, he returned, re-plugged in the guitars and sang a great version of “Keep Us”.

This is the first of 5 or 6 upcoming concerts for me and it was a great start.

Peter's CD is available here: http://tinyurl.com/itunesPBATraces

Just a quick Update...

It has been a slow summer concert season here so far, but that is all about to change. Paul Thorn is coming

to town later this month and Joan Armatrading, Shawn Colvin and Crowded House will be here in August.

Up first though is Peter Bradley Adams.

The biggest perk you get when running any type of radio station these days are the emails from fans and friends. I always love talking music with people. Somewhere down the list of perks, but still a great perk, are the occasional free shows that you get invited to. And once in awhile, they are shows you’re looking forward to. Such is the case this month as Peter Bradley Adams will be at the Hotel Cafe in Hollywood on July 28th. I’ve been a fan of Peter’s ever since eastmountainsouth was first played on XM’s The Loft several years ago. Peter has since released three solo CDs and has a fourth one coming out soon. In a small room like the Hotel Cafe, his quiet and lushes sound should make for a very special evening. Peter is hitting the west coast this month, including stops in Porland, Seattle and San Francisco. For more info you can go to Peter’s web site: http://www.peterbradleyadams.com

And of course, if you listen to the Promise, you’ll hear plenty of Peter along with lots of other great artists.

New Music for May 2010

Sam Phillips - Old Tin Pan (2010)
"Old Tin Pan" is the latest EP from Sam's Long Play project. This EP is a treat for us die hard fans (that was a pun I suppose), because it is comprised of the songs Sam had written for her last CD, "Don't Do Anything", but pulled out by her so that she could rework the entire album. It seems pretty obvious, after the fact I suppose, that she made the right choices back then. Although these songs are good, they would have changed "Don't Do Anything" quite a bit. The other big news for us long time fans is that finally, what may be the oldest unreleased (but played live) song from Sam has finally been officially released. I've been waiting years to hear a studio version of "When You're Down". It's funny too, because just the other day on XM's The Loft, they played a live version of it from Sam's performance in their studios back in 2004. I love the full quartet driving this version of the song. And the Section Quartet is all over this EP along with Jay Bellerose on percussion, with some nice piano from Sam. It is more somber than the last EP, "Magic for Everybody", but overall very satisfying. Again, if you haven't signed up for the Long Play it isn't too late. 4 of the 5 EPs have now been released and there is still a digital CD to be released later this year. There has never been a better year to be a Sam Phillips fan.

Sparks - Hello Young Lovers (2006)

I usually don't review older CDs here, but I just couldn't resist. I really love this CD. It isn't for everyone. But for those of you who like to take risks in your music, who love a good hook but still need it to find its way to you in a unique setting, for those of you ready to rock, this is worth the listen. A blending of Phillip Glass, metal, country, glorious harmonies and hooks straight from the 70s, and almost anything else you can throw into the blender, this is your album. None of this is haphazard though. Strangeness is everywhere you look; especially in the lyrics. I was hooked with "Dick Around" and was totally won over by "Perfume". This is just a fun yet complex CD that deserves more attention.

Joan Armatrading - This Charming Life (2010)
This is her most pop, most accessible CD in many many years. Joan plays all of the instruments (except drums) on this rock and roll album. As always there are stories about interesting people in and out of love. And there are hooks all over the place. She is touring America this summer. Don't miss her. http://joanarmatrading.com

Peter Gabriel - Scratch My Back (2010)

A lot has been said about this in the press. I'll just say that the arrangements of these covers are unique and beautiful. The tone is similar throughout the CD and some people might find that boring, but I really enjoyed letting Peter just take me on this trip with him.

Drive By Truckers - The Big To-Do (2010)

DBT continues to be one of my favorite southern rock bands, singing about common people and so many problems in life, then driving it home with jangling guitars and a power and sound not unlike the Stones of the 60s. Love these guys... and girl.
The Watson Twins - Talking To You, Talking To Me (2010)
A little more focused than previous releases and strong arrangements make this their best outing yet. The sisters have moved away from dueting every song without losing any of the beauty that their voices bring to the record. A beautiful CD. http://thewatsontwins.com

Melissa Etheridge - Fearless Love (2010)
Melissa rocks harder than most men, and with this release it is a bigger, 70's rock sound. The female Bruce Springsteen continues to deliver solid rock and roll.
Pete Kilpatrick Band - Hope In Our Hearts (2008)

Their PR says they sound like The Fray. If they remind me of anyone, it would Five For Fighting. And that's a good thing. Catchy pop tunes with a solid modern rock sound. http://www.myspace.com/petekilpatrick

Anne McCue - Broken Promise Land (2010)

Women sure have figured out how to rock and roll over the years. Over the last year or two I've been enjoying artists like Grace Potter and Carolyn Wonderland, not to mention Nicole Atkins and of course Melissa Etheridge. Joining those rockers is Anne McCue, who's new CD is grittier and more alive than what is being released by most male rockers these days. I love the arrangements, which often start off with a standard bar band rock sound, and then in come the horns and you're moved to a different place. This is a tough world she lives in on the CD (it appears tough on the outside too, where she had to sell her steel guitar to get this CD made) and those lyrics add to the gritty and real feel that this album brings to you. The back of the CD says it all: PLAY LOUD. http://annemccue.com

Chris Wolf - Better Be Scared! (2006)

What a fun CD to listen to. Chris is a classic folk singer with some unusual stories to tell. I was smiling throughout this 14 song CD and can't wait to hear his next one (due out this summer). You can check out this CD at CDBaby.

Sam Phillips at the Hotel Cafe

If you follow the music biz at all, you know that the entire industry is going through a rebirth, with everyone trying to figure out just were they belong and how they are going to get there. If you're a music publisher, the days of sitting back and waiting for the royalties to roll in are long gone. So what do you do? You become more aggressive. And that is what the owners of Notable Music (a music publishing company) are doing. This afternoon they booked the Hotel Cafe for lunch, bringing in pizza and an open bar and inviting industry types and the press to see just why Sam Phillips fans love Sam Phillips. Sam, of course, did her part, playing a 30 minute set of new and almost new music. Backed by Eric Gorfain on violin and guitar, Jay Bellerose on drum kit and Jennifer Condos on bass, Sam appeared to be in mid tour form. Later she told me how strange it was, they had rehearsed and rehearsed and now the show was over, and there was no tour bus to get on.

Although there were a lot of familiar faces, I'm sure there were some people there who really didn't know Sam's music. This is probably why she opened with "Sister Rosetta Goes Before Us" (a song from the "Raising Sand" CD that was so popular a couple of years ago). She slipped in a couple of songs from her "Magic for Everybody" EP ("Lever Pulled Down" and "Magic For Everybody"), another from "Don't Do anything" ("Shake it Down") and "Was it all in My Head" a single from her Long Play project. It was at the end of "Shake it Down" that Sam pulled out what looked like a metal bread bowl and started hitting it to add to Jay's percussion. One too many slaps caused the bowl to fly off the stage and land at my feet. Sam apologized after the song, saying it was not intentional and was done with affection. I told her I knew that. She finished off the short set with a crowd favorite "Reflecting Light" and then "One Day Late" (which she dedicated jokingly to the Dodgers... who could use some help right now). What can I say about this band that I already haven't mentioned here before. Jay is one of the most interesting drummers alive; creating sounds like no one else. I have never been disappointed in any of the projects he has worked on in the past. I can't even imagine what Sam sounds like without Eric these days. His violin (and now guitar) have been a big part of Sam's sound for the last 5 or so years. Jen is the newest kid in the band, but she has been backing some pretty big names over the years. The four of them worked so smoothly together, you would have to think that they were, as I said, in the middle of a tour. This show makes me hungry for more live Sam Phillips. Hopefully, when the Long Play project is over, she will do some live gigs. But this will have to do for now.

After the show, I chatted with Jay (until Randy Lewis snuck in there). He's got some interesting projects coming up, including being on tour with Ray LaMontagne. There is no new news about Section Quartet shows. I think Sam is keeping Eric pretty busy. And nothing new to report about Sam. I believe an new EP is coming soon. What a wonderful afternoon. If felt like 2004 all over again.

Bruce Cockburn at the Coach House

It is almost always a fun time when we go to the Coach House in San Juan Capistrano. The crowds are almost always polite and they seat you for dinner next to total strangers who often become your best friends (at least for the evening). So it was Friday night, where we met a friendly couple from San Diego who were not only seeing Bruce for the first time, but where at the Coach House for the first time. I explained their dining choices (beef okay, chicken dry, ranch dressing is the only choice - although they now have Caesar) and we then spend the next hour and half talking music. A very familiar story, as was much of Bruce Cockburn's show. But not as familiar as you might think.

The stage was flanked by two huge wind chime like devices that we later found out Bruce could control with his foot. Actually, control isn't a good work, since he just pumped his foot and the metal clanger (or whatever it was called) seemed to hit the bars randomly. There was no opening act and Bruce came out and started right in on some of the crowd's favorites. After about a half hour, he switched gears and started playing new music. Some of the new songs were instrumentals (this is where he used the chimes) on guitar or Charango in one case. There was a wonderfully weird song about Richard Nixon (sort of) and a few others that I can't remember now. But I enjoyed them all. His first set lasted about an hour. After the break, he came back and continued to mix old with new songs. I have always enjoyed the solo Bruce over the band Bruce because of his amazing guitar playing. Although I liked his instrumentals, I felt that they take away from the pace and the power of the show. Bruce Cockburn has lots to say about this world, and he can't really say it with an instrumental. Still, the two plus hours he played were excellent and we had a great time.

Patty Griffin at the Wiltern

There is something special about a Patty Griffin concert in L.A. It has nothing directly to do with Patty's performance and everything to do with her music. We always seem to meet people who are seeing Patty for the first time and yesterday was no exception. Hanging next to us as we leaned against the stage was a group of 3 or 4 who had flown in from Hawaii for their first ever show. But nothing could compare to the bubbling energy that was Jocelyn, a 21 year old on her own who hung out with us for the entire 5 plus hours (2 hours in line). This was her first Patty Griffin show and she was so excited. I have been there many times and it was easy to relate to her. We had a great time telling each other stories and talking about music. What made this all humorous was that she is also Jewish. So, here are three Jews, front and center, waiting for Patty Griffin to come out and sing songs from her new Gospel CD.

But first... Buddy Miller came on stage and sang with only an acoustic guitar. After just one song, he brought his band out on stage, which included backup singer, Patty Griffin. She sang backup the entire set (except for the closing number which was again an acoustic solo). And what a potent 45 minutes it was. Singing classics like, "I Worry Too Much" along with a few songs from his latest collaboration with his wife Julie, "Written in Chalk", he had the entire audience bouncing around and loving every minute of it.

After a 20 minute break, Patty came out, with the same band (plus an extra guitarist and keyboards) and Buddy sang backup and played guitar. As expected, Patty focused on her latest CD, "Downtown Church", playing very few other songs from her catalog ("Stay on the Ride", "Heavenly Day", "Up To The Mountain") and only one song from the previous millennium ("Mary"). I may have missed one, but that is my recollection. About half way through her set, she did a solo acoustic set, introducing us to a sexy new song about her grandparents that was so cute. Early in her career Patty proved what a great songwriter she was. Now she is showing us her vocal talents; and they continue to amaze. I will never get tired of listening to her sing. This night was obviously about other people's music, so it was not a surprise when she finished the night with a cover; a rockin' version of the Fabulous Thunderbirds "Why Get Up". It was another great Patty Griffin at the Wiltern show. I can't wait for the next one.

On a side note, my Emitt Rhodes t-shirt continues to get noticed at concerts. I had a few minute conversation with a long time fan about Emitt. It has now surpassed my Alejandro Escovedo shirt, which got lots of comments when Springsteen was last in town. I think I'll wear it to the Peter Himmelman show at McCabes on the 25th.

New Music April 2010

Katell Keineg - At the Mermaid Parade (2010)

It has been over a dozen years since Katell has put out a completely satisfying CD, but the wait is over. From start to finish, Katell has crafted an poetic CD that has her trademark vocals leading well designed melodies into another world. It is only available via download in the U.S. right now. You can purchase it at ITunes or CDBaby.
Kristy Hanson - Into The Quiet (2010)
A nice leap forward for Kristy, who's second CD builds on her first with stronger production, stronger songs and well... It's just a stronger CD. In the days when radio mattered, I could see several songs getting airplay on AAA and maybe even pop rock stations. You can pick up this solid independent CD at CDBaby.
Kenny White - Comfort in the Static (2010)
Kenny's CDs don't come out often enough so I always feel like I'm waiting for the next one. "Comfort in the Static" is well worth the wait. His humor and passion remain intact and the songwriting shows no signs of aging. Kenny continues to document his attempt to navigate through this strange but wonderful world we live in. As one of those who relate to getting older, you can't help but listen and nod, "Yep, I've been there". This man is so talented and it sure would be nice to see him have a bigger fan base. So, please, go to Amazon and purchase this excellent CD.

Allison Moorer - Crows (2010)

It's been 6 years since Allison Moorer has blown us away. "Crows" is s stunning piece of work from Allison and easily her best output since "The Duel". This isn't as loud and fuzz guitar driven as that previous CD, but it is filled with great songs; as good as anything she has written.
John Hiatt - The Open Road (2010)

I don't review music I don't like. It keeps this blog positive (It is so easy to go negative in this day and age). So, when John Hiatt released his last CD (And I've been a huge fan for years), I just didn't get it and decided to play a couple of songs on The Promise, but not blog about the CD. I have no problems talking about "The Open Road" though. This is John's best CD in some time and I love how the songs are all tied into the road, travelling and life on the run. The music rocks, the melodies sparkle and, and, I just love this CD.

Jude Johnstone - Blue Light (2007)
It is sometimes a fine line between singer/songwriter and jazz singer. The more time I spend with great singer/songwriter vocalists, the more I find myself attracted to jazz vocalists. On a small label, Jude Johnstone has a voice that at times reminds me of Shawn Colvin. So, it only seems fair that I share some of this music with you. You can hear more at Jude's website.
Steve Poltz - Dreamhouse (2010)
Steve's "Chinese Vacation" may have some of the funniest songs I've heard in years, but Dreamhouse is a mature work by a talented singer/songwriter. It is a mellower Poltz who has humor and irony drifting in and out of his songs. Lots of good stories/songs here to enjoy.
k.d. lang - recollection (2010)

This is a cool box set with lots of unique and unreleased songs. If you are a big fan you should pick this up. If you've never purchased any of her CDs (like me), this is a great way to start. There are plenty of good songs including 2 versions of Hallelujah.

The Swell Season at McCabe's

I can't believe nearly a month has gone by and I haven't written about this. In what may turn out to be one of the best club shows of the year for me, Glen Hansard and Marketa Irglova performed for a small group of fans (under 150) at McCabe's Guitar Shop in Santa Monica. For nearly 2 hours they sang songs, told stories, made us laugh and thoroughly entertained us all. That they are talented and have written some beautiful songs goes without saying. If you haven't seen them before, the extra piece that makes them so special is their humble and down to earth attitude. When Glen begs you to sing along, he really wants you to be a part of the show. His stories are always touching and funny. In one of them, he gives Bono all of the credit for the Swell Season getting to the Academy Awards (something that changed their lives). Marketa, who is just as humble on stage, was supporting a new hairdo giving her an extra bit of sophistication. Although this is really Glen's band, he always leaves a nice chunk of the set open for Marketa to lead. Sending this show over the top was the inclusion of Javier Mas for several songs near the end of the show. Javier is a guitar player from Spain who was also one of the highlights from Leonard Cohen's recent tour. The pure joy he displays while playing incredible leads on his acoustic guitar was a perfect compliment to the Swell Season. For those of you in So Cal who missed the show, the full band will be playing the Hollywood Bowl this summer. Don't miss them.

Raul Malo - Solo at The Coach House

Upon entering the Coach House last night, the first thing I noticed was that there were no drums on the stage. This made me a bit nervous. When Raul focuses on ballads it can sometimes get a little less interesting. I love his high energy songs. What were we in for tonight? After the opening act left the stage, they took away everything and I realized we were getting a true solo show. No band, just Raul Malo on guitar and, of course, vocals. Would Raul be able to engage the audience? Would he be able to bring the energy? The answers to these questions is an emphatic yes!

Raul has a wonderful and sometimes sarcastic sense of humor. He made no bones about the fact that he didn't really care what we wanted because he was going to deliver us a show that we would love. When he stated that a song was an old Maverick number, he got cheers and replied, "Thanks. That's better than: When are you getting back together". Later he made joking references about not really playing requests. After singing a song with some Spanish lyrics in the middle, he got some yelling in Spanish from the crowd and responded with, "Cubans are in the house tonight", but in a here they are AGAIN manner. Still, it was all in good fun and he had us laughing throughout the night. When he said he wrote a song for the Mills Brothers he followed with, "They're all dead though... So I recorded it".

But, it is all about the music with Raul, isn't it. And he delivered. With his Elvis meets Roy Orbison voice, it is hard to miss. Some of the faster songs were slowed down as he played with tempos to fit his set. He had the women swooning when he covered Mexican standards like Volver and sent shivers at the end when he sang the Roy Orbison song, "Crying". Near the end of the set he really picked up the pace with some Mavericks classics and had us all singing along. If there is anyone who can bridge the gap between the gringo and Latino music worlds, it is Raul Malo. He has been doing it for years and the best part is, he does both sides so well. He has a CD of new music coming out in August and is also working on a Spanish language CD. Hopefully he will be back this way in the Fall. Can't wait!

New Music February 2010

Somehow I just couldn't get through all of the 2009 releases and here we are in 2010 already. So, up first are all the latest 2010 CDs that are now playing on The Promise, including music from Amy Correia, Sam Phillips, Patty Griffin, The Burned, Jon Dee Graham, Tina Dico and Spoon. For you indie artists that have sent me CDs and are waiting to hear your music, it's coming. I promise.

Amy Correia - You Go Your Way (Spring 2010)
It opens with a piano/percussion driven song, the title track, "You Go Your Way", and I am hooked. It doesn't let up there though. The beautiful "Love Changes Everything" follows and then the funny/sad "Powder Blue Trans Am". Most CDs are lucky to have 3 winners, let alone lead off with 3 unique, powerful, and fun songs. All of Amy's original songwriting is wrapped up in Paul Bryan's solid production and Jay Bellerose's always amazing percussion. It's early in the year, but it is going to take a hell of a lot for an indie release to beat this CD in 2010. The CD is only available on Amy's website right now, but will be available everywhere soon. You can listen and buy it here: http://amycorreia.com/ .
Sam Phillips - Magic for Everybody (2010)

And speaking of Jay Bellerose, he makes a return to recording with Sam Phillips on her latest EP, part of The Long Play project. The EP opens with "Always Merry and Bright", a look at the sadness behind the smile. Interestingly, the strings, arranged by Eric Gorfain, I believe, have a very traditional sound (not what we've grown to expect from Eric). This just adds to the sadness the song seems to bring out. That is not to say that Magic is a downer of a CD. Sam always seems to find the silver lining and the title track, "Magic for Everybody" which follows is so hopeful, she obviously placed it in that order to bring you back up. The 5 song EP ends with a remake of her Gilmore Girls song "Tell Her What She Wants to Know". It is slower and more... more... Sam. This may be my favorite of the EPs released so far and with this collection, we have easily gotten our money's worth. Check out the project at http://samphillips.com

Patty Griffin - Downtown Church (2010)

That I am listening to a "Gospel" album is a testament to the respect I have for both Patty Griffin and Buddy Miller. To Patty's credit, this CD is inspirational, but not overly in your face with the religion. As she has stated in interviews, she was working her way through her own faith as she recorded this. Most of the songs are covers of religious tunes that come in many forms; from country to Mexican traditional to soul. This is a very entertaining CD and Patty's voice shines throughout.

The Burned - The Burned (2010)

Just got this one the other day (thanks Mike) and it has "wow" written all over it. Moody, electric, bluesy, fascinating, wow. You must check these guys out! I hear they have a great live show too.

Jon Dee Graham - Its Not As Bad Aa It Looks (2010)
With a strong rocking band, The Fighting Cocks, behind him, Jon Dee continues to put out good music that gets ignored by the mainstream media. Many of the songs continue to dig into his life and his world, all of which is interesting, sad and beautiful. Check out this wonderful CD at http://jondeegraham.com .
Spottiswoode - Piano 45 (2010)

All good songwriters should be able to strip down their songs to piano or guitar and voice and you should be able to see the beauty of it all. On this solo CD from Jonathan Spottiswoode, the theatrics and strange but exciting arrangements are gone and it is all about the songs themselves. It may not be a starting point for new listeners, but if you are a Spottiswoode fan, you will find this batch of 15 songs a wonderful diversion from his other music. But judge for yourself. I think you will be pleasantly surprised. You'll find more info here: http://www.spottiswoode.com/

Tina Dico - The Road To Gavle (2010)
Another great CD from Tina. Her wonderfully personal songs are only eclipsed by her beautiful voice. Why don't you own any Tina Dico? http://www.tinadico.com/
Spoon - Transference (2010)

Spoon continues to knock out great music. This CD is a bit more experimental, maybe even a bit Wilco like in that way. Still, you find yourself loving these quirky songs and their strange moments.

Happy Birthday Steve Poltz

On a rainy night in North County San Diego, Steve Poltz, the somewhat crazy, friend to everyone, singer/songwriter, and co-writer of Jewel's hit "You were meant for me", turned 50 with hundreds of his closest friends and family there to help him celebrate. The Belly Up Tavern was packed for their local hero who put together a show that hardly stopped from 9pm till well past midnight.

Steve, sporting a pink cast on his left arm came out and introduced Lisa Sanders, who played guitar and sang along with a backup singer. She has a beautiful voice, although it was often lost because of the crowd noise. This is San Diego, and having lived there for over 4 years I can say without a doubt that they are the worst audiences I've ever had to share clubs with. I love the Belly Up, but most people in San Diego seem to go to shows for the scene, not the music. It has been that way since the 70's and hasn't appeared to change any. But I digress.

Juan asked me if all the bands were going to sound alike. Well, it was obvious right away that this wasn't going to be one of those nights. As the beautiful sounds of Lisa Sanders were replaced by Mojo Nixon. If you don't know who Mojo Nixon is, this will give you an idea of what the next half hour or so were like: http://en.wikipedia.org/wiki/Mojo_Nixon . He opened with a new song called, "Steve Poltz is an old MF". If I need to explain what MF is, you're not old enough to be reading this. Anyways, this was a sweet ballad compared to where he was headed last night. And... And... I just don't think I can go there in this blog. Let's just say it was obscenely over the top with Mojo performing some of his biggest hits. Well, maybe not hits, but they were some of his most notorious songs. Okay, pretty much everything he sings is notorious. He didn't do the Don Henley song though. "Elvis is Everywhere" may have been the show's highlight. Throughout his performance, he kept coming back to the Steve Poltz song, and we sang as loud as we could. I feel lucky that I finally got to see this legend. Uhmmm, but I really felt like I needed a shower afterwards.

Mojo worked the crowd to a near frenzy, and now it was time for Steve Poltz to perform for us. Unfortunately this caused a short disruption in the pace of the show since this was also Steve's CD release party for "Dreamhouse" and much of the CD is quiet (at least quiet compared to Mojo). But Poltz mixed up old songs and new ones with ease. His band, the Cynics really rocked. He brought out guests to perform solo and with him. It started with Anya Marina, a singer/songwriter who has had a bunch of songs on TV shows. Her solo singing was totally drowned out by the crowd although they gave her a nice round of applause. Gregory Page, from the Rugburns sang a few songs. I love his voice. A.J. Croce (yes, that is Jim's son) sang a few songs also, and man, can he play piano. He did a ragtime number that was out of this world. Each artist would join the band, then sing a song or two by themselves (or with Steve) and then the band would come back and they might stay for another number or two. Cindy Lee Berryhill (who I haven't seen in over 20 years) came out and sang backup to a song. Meanwhile, Steve's set rocked the house. With his broken hand putting his guitar playing out of commission, he bounced around the stage non stop, not really knowing what to do with himself. He was almost manic. He brought up his physician who helped with the broken hand, and a couple who danced to one of his songs at their wedding (they danced on stage). He even wished his sister a happy birthday (they were born 2 years apart on the same day). When he finally got to the classic "You were meant for me" (which, as usual, included the David Cassidy rap), he shared the guitar with his guitarist in a cozy funny way.

The evening ended for us with the Rugburns reuniting on stage for an absurdly rocking set. We had to leave early, but I can't imagine any more craziness could have happened that night. Of course, it was a Steve Poltz show, so anything was possible.

Shawn Colvin at The Coach House

Without a doubt, Shawn Colvin is one of my favorite live performers. She mixes her excellent catalog of songs with brilliant covers and then usually throws in some great stories and fun audience banter. She is easily one of the best guitarists in the singer/songwriter category and her performances always seem effortless. We were up front and center for Saturday night's show at the Coach House in San Juan Capistrano. She has played there many times before and comes back because of the great audiences, good sound and mediocre food (just a joke there... at least the food is consistent). We got everything we came for, except the stories. She seems to be out of stories at the moment and that is fine because I've heard her tell old stories before, and it always seems disappointing when I already know where it is going. If you doubt that the whole crowd is waiting for stories, it was obvious early on when someone yelled out, "Tell us a story" and you could almost here the rest of the crowd go, "yeah, tell us one Shawn". She did talk briefly about the Grammy's and her daughter saying the "S" word when Steve Earle beat her out for the award.

When my seats are up front, they always seem to be on the right and I never get a good look at Shawn's guitar work. But on this night, we were right there and watching her play is almost as exciting as actually listening to the songs. As for the songs, she pretty much skipped over her last CD and played most of the favorites we came to hear. She took requests, in her own way and time of course. The highlight for me though was finally getting to hear the long version of Polaroids. For those who haven't heard it, after completing the song, she starts playing cover songs that have the same beat and sound. There is a KSCA live session, for those of you who recorded these things, that has it and which I've lived off of for 15 years. I'm guessing many of the people hadn't heard that version and when I yelled out, in the middle of it "Ebony and Ivory" and then she started playing it, well, they thought she was actually listening to me. The reality was, I think she was about to go there anyway. But everyone around me gave me this WTF look. It was great.

We met a lot of nice people, including another big Sam Phillips fan. It is one of the reasons I love going to the Coach House: Always cool people to meet. And as always, we left just short of two hours later very satisfied and looking forward to Shawn's next visit.

Lots on our music schedule this month. Friday we are headed down to Solana Beach to see Steve Poltz's CD release party at The Belly Up. And the Friday after that is Raul Malo back at the Coach House.

Sam Phillips

This coming week, Sam Phillips celebrates another birthday (I'm going to be polite and not mention the year, you can look it up if you must). To celebrate I thought it would be nice to remind everyone just how much good music Sam has created over the last 20 or so years. So, starting now and going on into next weekend, The Promise will be playing lots and lots of Sam Phillips. Pretty much every hour, 24/7, there will be songs from all of her CDs, including music from her last CD as Leslie, "The Turning" and of course, music from her current Long Player project.

And... just thought of this... If you'd like to wish Sam a happy birthday, make an mp3 (under 20 seconds) of your message and email it to me at thepromise at gdrmusic dot com. I'll throw it into the rotation.

Happy Birthday Sam!

Rufus Wainwright in Long Beach

Where does the time go. Has it really been 2 weeks since this event? :-(

So... The Terrace Theater in Long Beach is a beautiful place to hold a concert. Rufus stole Leonard Cohen's backup singers, The Webb Sisters, to open for him. It was a wonderful choice. They gave us a short but lovely set featuring their unique harmonies. Their standard instrumentation of acoustic guitar and portable harp (with a bit of electric guitar in the background) made it even more fun. I picked up their EP after the show, which features their version of Cohen's "If it be your will". If you enjoy acoustic harmonies with an English folk edge, you should check them out.

There are two Rufus'. The big band Rufus and the solo Rufus. Tonight we got the latter. There's nothing wrong with that, although I'll take the full band if I have a choice. Rufus is very laid back; maybe a bit too much. He screwed up a few times, stopping and starting (making us all laugh along with him). This was similar to his House of Blues show last year. His full band show at the Wiltern a few years back was near perfect. So I have to believe that he is just more focused with the full band. Still, we are there for the voice and the songwriting, both in top form. His new songs were exciting and the oldies were powerful. Rufus is a wonderful entertainer and worth seeing, mistakes and all.

More Music December 2009

Okay, I'm going to try and get through as many CDs as possible before year end. Here we go...

James Maddock - Sunrise on Avenue C (2009)

James Maddock's return (has it really been 10 years?) may very well be the very best CD of the year. It starts with the lyrics. The songs about relationships desired and lost have insight that is rarely seen in pop music. There are wonderful hooks throughout and the production is beautiful without being overly done. There is not a weak song among the dozen here. If you're going to buy one more CD before the end of the year, this is it.

Luke Powers - Running to Paradise (2009)

This new CD from Luke brings us 16 more stories/songs sung by a man who someday will be a folk legend. The term "folk" may be too limiting for the style of his music which seems to capture the best of the Texas and Tennessee scenes. His CDs always dip into our collective past, and this one not only goes back to the 60's for "The Real Elenor Rigby", but also the 70's for "Johnny Rotten Come to Jesus". Always a favorite indie release of mine. Get more info at http://www.phoebeclaire.net or you can purchase it at CD Baby.

Rodrigo y Gabriela - 11:11 (2009)

If you love guitar, how you can't love this duo is beyond me. Armed with acoustic guitars and no real limits as to where they can go, the music is exciting, amazing and filled with the kind of joy that so few artists project.

The Swell Season - Strict Joy (deluxe edition) (2009)

The deluxe set of this follow up CD from the duo that made "Once" one of the best musical movies a year or so ago, is a must have. Disc 1 is the new music. It feels like more time and money were allowed for this CD and you hear some beautiful arrangements; especially the standout "Low Rising". Disc 2 is a live performance, which demonstrates their ability to not only convert their studio recordings into live pieces, but gives you a hint on just how good they can be in concert. Backed by The Frames, this alone is worth purchasing the CD. Disc 3 is a DVD (I'll get around to that some day).

Angela McCluskey - You Could Start a Fight in an Empty House (2009)

Right off the bat you have one of my favorite album titles of the year. But seriously, Angela and her friends have put together what is now my favorite post Wild Colonials CD. With Shark and Paul busy making soundtracks among other things, Angela has created a wonderful CD. A couple of the songs have a bit of the techno sound that Angela has been dabbling in, but generally this CD is all about Angela; her voice, her lyrics and her friends (like Joseph Arthur for example). Angela McCluskey is in a league with Lucinda Williams when it comes to letting you hear the pain in her voice. So when she slows it down and tells you a sad story, you really feel it. A couple of the later Wild Colonial songs are included here which just adds to the enjoyment. This is an excellent CD and it will easily hold us over until the gang gets back together again.

Ellsworth - Bright Red Road (2009)

As with his last CD, it is hard to label Ellsworth's music. It is less Americana this time and more... I don't know... Troubadour like? Ellsworth has focused his lyrics on the world and so many of it's problems. This is very much a social commentary CD, yet it never gets too heavy. Although you I might be tempted to call it folk, it is very modern folk with full arrangements and solid production. This CD is going to get plenty of play on The Promise. For more info, you can go to http://www.ellsworthsongs.com

New Music December 2009

I've got lots of new music on the way. Here are a few of new CDs you will hear on The Promise...

Kevin Gilbert - "Nuts" and "Bolts" (2009)

Kevin, the man behind Toy Matinee and one of the key songwriters in the Tuesday Night Music Club, has been gone over a dozen years, but he hasn't been forgotten. His estate has finally released some material that has been sitting in the vaults. These aren't half recorded, not quite ready pieces of music, but fully produced (and let's face it, when Kevin produced something it was FULLY PRODUCED) ready for release songs. In fact most of the first CD, "Nuts" is typical of the heavily produced songs from Toy Matinee (The last few songs are simpler productions though). "Bolts" is much more personal with Kevin mainly accompanied by either guitar or piano/keyboard with maybe some light percussion. Throughout the two CDs, the songs focus on life and relationships; which is probably why the people who are releasing these CDs consider them singer/songwriter CDs. The sound is very 80s, but the quality is there, both in the production and the writing. If you loved Kevin before, you will love these new/old CDs. Warning, if you only buy "Nuts", you will be mislead (on purpose) by the liner notes and you WILL buy "Bolts" just to see what she as talking about. You can find out more and buy the CDs here: http://kevingilbert.com/

James McMurtry - Live in Europe (2009)

The studio CDs don't begin to show you the power of his live shows. The problem with this CD is that some of the classics were saved for the DVD that comes with it (if you haven't seen him do "Choctaw Bingo" live...). So, at 8 songs, the CD is a bit short. The 6 songs on the DVD make up for it, if you like to watch your music. Still, it is hard to put down anything live by James. This was a nice addition to my JM collection.

Tinted Windows - Tinted Windows (2009)

There hasn't been a power pop band like this since... maybe The Knack. If that sounds horrible to you, then you will want to pass on this CD. But, if you love to hear that sweet vocal with the power chords and big drumming, then this is the CD for you. The surprise here is that this is actually a super band featuring Taylor Hanson from Hanson, James Iha from Smashing Pumpkins, Adam Schlesinger from Fortunes of Wayne and on drums Bun E. Carlos from Cheap Trick. This could be the next big band.

Sam Phillips - Cold Dark Night (2009)

Part of her Long Play project, there are a half dozen Christmas songs here. Now, I'm not one for Christmas songs, but Sam can make anything sound special to me and these songs prove that. The highlight is easily "It Came Upon a Midnight Clear" which she originally recorded for the movie, "A Midnight Clear". This new arrangement is just as gorgeous.

Lazy Preacher - 4th and Independent (2009)

They are Orange County's little secret, and that's too bad. You might be tempted to call their music psychedelic folk, but putting labels on Lazy Preacher isn't easy. Let's see... I'd put them somewhere between Beck and The Moody Blues. How is that for a wide label. This new CD is more focused than "Fall Asleep When Awaking" and has a more consistent sound; nice acoustic guitar with good melodies and just enough strangeness to keep you on edge. One of my favorite indie CDs of 2009. You can find out more here: http://www.lazypreacher.com

Jay Farrar and Benjamin Gibbard - One Fast Move Or I'm Gone - Music from Kerouac's Big Sur (2009)

Big fans of Jack Kerouac, Jay (Son Volt) and Ben (Death Cab for Cutie) take Jack's words and create a brilliant folky/Americana CD. For me, the highlight is hearing songs that sound like Son Volt but have Benjamin singing (and vise versa). If you like either of these artists (especially Jay Farrar) check out this beautiful and touching tribute to the King of the Beats.

Matt Stansberry - Self Portrait EP (2009)

Some great hooks from this indie artist. "Love Struck" has hit written all over it. His people like to compare him to John Mayer, and... well, it seems to fit. Some really nice pop music. Find out more at http://mattstansberry.com

Mike Doughty - Sad Man Happy Man (2009)

I just love his style. This acoustic rock always seems on the verge of exploding. He can write, he can sing, he brings the melodies and he brings the energy. What else can rock and roll ask for? It is maybe a touch below "Golden Delicious", but them maybe I just need to listen to it some more, 'cause every time I do it keeps getting better. http://mikedoughty.com

The Section Quartet Holiday Show at Largo

If you know me, you know I'm not one for holiday shows. Still, how could I not resist the lineup, and with Eric Gorfain arranging the evening (not to mention the actual material), I knew it would be fun. The band opened with Silent Night, a rare (for this show) traditional song. But as a warning of things to come, I suppose, they took it in a new direction with Daphne Chen playing the melody on her theremin (think "Good Vibrations" or almost any old horror movie). It gave the song a bit of a spooky feel. It is always amazing to watch Daphne perform on the theremin; pulling sounds literally out of thin air.

The biggest surprise of the night and one of my favorite moments came a couple of songs later. Sarah Silverman sang "Give The Jew Girl Toys". If you haven't heard this hysterically funny song, you should check it out on Youtube. Be warned though, it is standard Sarah material (it will offend those who are easily offended).

Before each singer appeared, David "Gruber" Allen would introduce one of the Section players along with himself and then introduce the guest artist. They were going for a bad Oscars feel where the offstage Gruber mimicked the offstage announcers at the awards shows and then the two of them would tell bad jokes while introducing the next artist. Those of us who got it, loved it. David has great timing and is generally just a very funny guy. His rap in the middle of Silver Bells had us rolling in the aisles.

The band and singers moved away from the traditional songs, singing more modern favorites. The Section Quartet did a lovely version of "Christmas Time is Here" (the Vince Guaraldi classic from "A Charlie Brown Christmas"). Joe Henry did "Blue Christmas". Vivian Campbell (Yes, that heavy metal giant) did "Merry Christmas Everybody" (originally sung by Slade). And Mike Viola (Candy Butchers along with plenty of solo stuff) did "Father Christmas". The most traditional song was performed by Sam Phillips, singing "Away in a Manager". It was easily the most beautiful moment of the evening. Sam took this traditional song and gave it the warmth and passion that so few singers can do these days. The song appears on her new EP "Cold Dark Night", by the way.

Somewhere in the middle of all of this, Addi, the balloon guy, brought out his bass balloon and played the bass line to The Dreidel song. You just have to see him play that balloon to really get how cool the whole thing is. Daphne did the arrangement for this traditional song, changing the style a few times mid song. It was a the most unique and maybe my favorite version ever of this song that I've been singing since I was a child. Also appearing was Jim Hodgson who played his concept video of "Jolly Filter". I'm not going to try and explain this. Just go to Youtube (this version doesn't have the sound... there may be a better version somewhere, but you'll get the idea).

The evening ended with most everyone on stage singing "Happy Christmas (War is Over)", the Lennon classic. It was a touching end to a very fun evening. Below is the full set list:

Silent Night - TSQ

Do They Know it is Christmas - TSQ

Give the Jew Girl Toys - Sarah Silverman

Christmastime is here - TSQ

Blue Christmas - Joe Henry

Wonderful Christmas - TSQ

Away in a Manger - Sam Phillips

Jolly Filter Film - Jim Hodgson

Silver Bells - Dave "Gruber" Allen

Dreidel Song - Addi

Last Christmas - TSQ

Merry Christmas Everybody - Vivian Campbell

Father Christmas - Mike Viola

Happy Christmas (War is Over) - Almost everyone

The Swell Season and Josh Ritter at The Wiltern

A week ago we were privileged to see one of the best shows I've seen all year. Last month I bought the tickets, opting for the first balcony at the Wiltern since it was standing room only on the floor. The Wiltern is just small enough where the early rows of the loge are perfect for a sit down show; especially if you are dead center like we were.

We arrived just before the show started. I was so focused on the Swell Season, I had forgotten that Josh Ritter was the opening act. He was on my short list of bands I really wanted to see live, so when he walked out on stage I was thrilled. And... I was not disappointed. He put on a lively set of rockin' tunes that made you smile and tap your feet throughout. His interaction with the audience was natural and usually very funny. He told a wandering story that really didn't have much of a point, and it didn't matter. I can't wait to see him do a full set some day.

After a short delay, Glen Hansard and Marketa Irglova, the duo that makes up The Swell Season came out, sat on the floor and did a cute song together. We were hooked immediately. They were then joined by The Frames, Glen's band for many years. The stage, with beautiful lighting and set designs, was laid out like an arc, with the Frames making up most of the curve and Marketa and her piano finishing it off. It was as if to say, we are The Swell Season and the Frames are over here helping. Although Marketa sang lead on a couple of songs, this is all really about Glen Hansard. In the middle of the night, everyone left, except for Glen, and he performed several songs solo. On one song he actually unplugged his guitar (the one with the big hole in it), walked out to the front of the stage and did it completely acoustic. Pretty impressive for a theater that big. It is Glen and Marketa's personalities that really win you over though. She is so humble and sweet. He is just as humble; a down to earth guy who, when he asks you sing along, is completely sincere about it and is just trying to make better music with you singing the harmonies. Their songs about lost love and unrequited love are as uplifting as they are sad. Before you can really feel sad though, Glen is joking about something or other and you find yourself laughing and having a grand old time. To accentuate the humor in their show, during the encore, they brought out Jason Segel to sing a song he had written. Jason, who is best known for his acting (and that nude scene), was hysterical, singing about finding someone at the Wiltern to come home with him that night. Marketa, who gave up her piano for him, walked across the stage with a sign that had his phone number (well, it was the phone number he gave in the song) on it. As the nearly 2 hour show (which actually ran over time) came to an end, they brought out Josh to sing with them, closing the circle of a perfect musical evening.

New Music for November 2009

Black Joe Lewis - Tell 'Em What Your Name Is! (2009)
This is high energy funk/rock/soul and is a blast to listen to. I saw them in Austin and they can bring it. The CD won't disappoint.
Ben Harper and the Relentless 7 - White Lies for Dark Times (2009)
Another Ben Harper CD and another solid one for him. Doesn't seem to matter who he plays with, the music works.
Pete Yorn and Scarlett Johansson - Break Up (2009)
Talk about digging deep for inspiration... Pete channels Serge Gainsbourg's recording with Brigitte Bardot from the 60's, recording a break up CD with his muse I suppose The original was the actual breakup couple. I'm not anything beats how Fleetwood Mac did it. But, I'm getting off track. This is a nice CD from Pete and Scarlett (who is much better off not covering the great artists of our time) and if you're a fan of Pete's, you should enjoy it.
Sam Phillips - The Long Play (continued)
Finally, there is an official release of "When You're Down". Sam wrote this years ago, and it just hasn't been able to make it onto a CD. Glad to finally see it here.
Chuck Prophet - Let Freedom Ring! (2009)
More of a straight ahead rocker then his previous release, this is still pure Prophet. With his unique singing style and knack for catchy melodies it is so easy to love his music. The lyrics are a mix of social commentary and personal loss but with an uplifting spirit. Another great CD from CP.